Gods.
I am prepared now to make further revelations. The foregoing, although bristling with inconsistencies, seems to me, nevertheless, a ground work. I will begin the apocalyptic finale with a resume of the choir-leaders, the high priests, the Mahatmas of Sir Frankenstein.
Item one: It is obvious that the laws of the land being the ghastly climaxes of artificial logic and not of human desires or biological necessities, therefore the salaried apostles of these laws must function similarly outside nature.
The high priests, it develops indeed upon investigation, diligently lickspittling to Sir Frankenstein, have no following. The masses are not going to Heaven in their wake. They, the high priests, are magically out of touch with their worshippers. And from day to day they grow further out of touch until they are to be seen high in the clouds tending the fugitive altars that are soaring toward God on their own power.
These high priests are the creatures elected, commissioned and delegated by the proletaire to perpetuate its grandiose and impossible image. And this they do. They are the custodians of the public morals, meaning the protectors of the huge trick mirror out of which the complexes, neurasthenias, and morbid fears of the public stare back at it in the guise of Virtue, Honor, Decency, and Love. These custodians are also, to leap into the denouement, the censors here under discussion; censors not only tolerated but insisted upon by the people to annoy and harass them and inspire them to further ballot flagellations in order that they, the people, may be spared the disaster of discovering themselves different from what two hundred centuries of self-idealization have driven them into believing themselves to be.
This, the high priests do. In every village, hamlet and farm they have their say. They chastise. They make things fit for decent people to see or wear or drink, and people flattered to death at the idea of being considered decent submit piously to the distastement infringements and taboos.
All-powerful are the censors. But despite this all-powerfulness they labor under a wretched handicap. They are stupid. Stupidity is the paradox to be found most often in all-powerful Gods. They are stupid, the censors. And the Devil is clever. The Seven Arts which are the Seven Incarnations of Dionysius, the Seven Masks of an unrepentant Lucifer, elude them in the horrific struggle. Or at least partially elude them. Occasionally a cloven hoof is spied and sliced to the bone.
* * * * *
We return now with proud and tranquil ease to the beginning of this tale, to the phenomenon of a tolerated literary iconoclasm in a land alive with caterwaulings of virtue.
As hinted above not all the Arts escape, nor do any of them escape all the time. Music, whose sly and terrible vices were for centuries unperceived by the high priests, has been brought to earth in places. "Jazz Incites to Sin. Syncopation is Devil's Ally." Discovered! One reads the morning paper and feels a return of hope. The High Priests are aroused. They have disembowelled an ally. There is hope then of a bloody fray. Another Edition and they will be on our own heads, swinging their snickersnees. Mencken will be arrested and burned in public. Anderson will be strung up by the heels and his estates confiscated. There will be war--red war, and we in the army of the iconoclasts growling impotently at each other will face about and have at them with hullaballo and manifesto and snickersnee in turn.
"Nude Painting Banned From Window. Nab Store Keeper." We read on. The snickersnee swings towards the vitals of Hollywood. "Movie Magnate Charges Work of Art Cut; Sues Censors. Seeks Redress in Courts."
Valhalla! They are closing in. Another forced march and they are upon us.
Alas, our coffee cools as we wait impatiently for the alarms to sound. We are intact. Mencken still lives. Anderson still lives. The tide of battle sweeps us by, passes us up, and there's the end to it.
Again, our victory rankling, we cast about for reasons. Do not the censors read our books? Yes, the censors read our books. And scratching their necks pensively and immediately below their left ears, the censors fall asleep. Our books were over their heads. Our broadsides aimed for their vitals whizzed by their ears and lulled them into slumber. A hideous victory is in our hands.
Voltaire blew God out of France for a century. But that was because God was still an emotion in his day and not a Frankenstein of logic. He blew up the high priests. But that was because the high priests still had enough intelligence in that time to know what constituted an epoch-shaking explosion.
Our enemies the censors, the hallelujah flingers, commissioned, elected, delegated by the proletaire are not worthy our steel. Having no longer any contact with
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