Nonsenseorship | Page 7

lo! the Bugaboo with a gentle smile reaches out and embraces him and plants the kiss of love on both his cheeks, strokes his hair wistfully, and invites him to sit on the front porch. Alas, poor Mencken! It is the fate that awaits us all. Zarathustra in the market-place feeding ground glass to the populace is gathered to the bosom of the City Fathers and gleefully enrolled as a member of the Guild.
This is no idle rhetoric. Dissent in the Republic has come upon hard ways. Ten years ago the name of Mencken would have stood against the world. Today no college freshman, no lowly professor, no charity worker, or local alderman too puritanical to do him homage.
Whereupon the argument is that an era of enlightenment has set in, that this same Mencken and his contemporary throat-cutters have vanquished the Bugaboo, and that, as a result, a spirit of high intellectual life prevails through the land. The proletaire have risen and are thumbing their nose at the gods. Brander Matthews has sent in a five years' subscription to the Little Review. The Comstocks overcome with the vision of their ghastly complexes are appealing to Sigmund Freud for advice and relief. But the argument is superficial. "Victory!" cry the iconoclasts grinding their teeth at the absence of a foe.
But it is a victory that rankles in the soul. The foe is not vanquished but, seemingly, bored to death has fallen asleep. It is, in any event, a phenomenon. Many generalizations offer themselves as solace.
The first paradox of this phenomenon is that Puritanism, beaten to a pulp by an ever-increasing herd of first, second, third, and fourth rate iconoclasts, has triumphed completely in the legislatures of the country. With every new volume exposing the gruesome mainsprings of the national virtue, further taboos and restrictions crowd themselves into the statute books.
In a sense it would seem as if the bete populaire, becoming increasingly drunk with the consciousness of its own power, is elatedly preoccupied in cutting off its own nose, tying itself up into knots, and kicking itself in the rear, proclaiming simultaneously and in triumphant tones, "Observe how powerful I am. I can pass laws making ipecac a compulsory diet."
Whereupon the laws are passed and the noble masses with heroic grimaces fall to devouring ipecac, to the confusion of all free-born stomachs. In fact this species of ballot flagellatism, this diverting pastime of hitting itself on the head with a stuffed club has gradually elevated the body politic to the enviable position occupied by the all-powerful king of Fernando Po. This mysterious being lives in the lowest depths of the crater of Riabba. His power is in direct ratio to the taboos which hem him in. Convinced that bathing is a crime against his dignity, that sunlight is incompatible with his royal lineage; convinced that his prestige is dependent upon a weekly three days' fast and a cautious observation of the taboos against all variants of social intercourse--piously convinced of these astounding things, the all-powerful monarch of Fernando Po sits year in and year out motionless on his throne in the lowest depths of the crater of Riabba, awed by himself and overcome with the contemplation of his all-powerfulness. We have here, I trust, an illuminating analogy.
The Republic, like this King of Fernando Po, imposes daily upon itself new taboos, new rituals. Yet there is the phenomenon of its tolerance toward the idol breakers. From the lowest depths of the crater of Riabba in which he sits enthroned the monarch of the Laongos condemns to death with a twitch of his brows all who seek to question the sanctity of the taboos. But this other occupant of the crater of Riabba-our Republic-raises gentle eyes to the idol wreckers, to the taboo destroyers. An occasional, "tut tut" escapes him. And nothing more.
Whereupon the argument is that our monarch of the pit is an impotent fellow. Again, a superficial deduction. For behold the censorships with which he belabors himself.
Censorship, almost extinct in the restriction of the national literature, thrives in every other field. Censorships abound. Food, drink, movies, politics, baseball, diversion, dress--all these are under the jurisdiction of a continually aroused censorship. The pulpits and editorial pages emit sonorous hymns of taboo. Every caption writer is an Isaiah, every welfare worker fancies himself the handwriting on the wall. Unchallenged by the vote of the masses or by any outward evidence of mass dissent, the platitudes pile up, the nation is filled from morning to morning with stentorian clamor. Puritanism in a frenetic finale approaches a climax.
But, and we tiptoe towards the crux of this phenomenon, the Bacchanal of Presbyterianism is an artificial climax. Unlike the day of the later Caesars, the populace does not abandon itself in imitation of its Neros and Caligulas.