Nona Vincent | Page 7

Vincent as if she had been the most interesting of their friends and her situation at that moment an irresistible appeal to their sympathy. Nona Vincent was the heroine of the play, and Mrs. Alsager had taken a tremendous fancy to her. "I can't TELL you how I like that woman!" she exclaimed in a pensive rapture of credulity which could only be balm to the artistic spirit.
"I'm awfully glad she lives a bit. What I feel about her is that she's a good deal like YOU," Wayworth observed.
Mrs. Alsager stared an instant and turned faintly red. This was evidently a view that failed to strike her; she didn't, however, treat it as a joke. "I'm not impressed with the resemblance. I don't see myself doing what she does."
"It isn't so much what she DOES," the young man argued, drawing out his moustache.
"But what she does is the whole point. She simply tells her love--I should never do that."
"If you repudiate such a proceeding with such energy, why do you like her for it?"
"It isn't what I like her for."
"What else, then? That's intensely characteristic."
Mrs. Alsager reflected, looking down at the fire; she had the air of having half-a-dozen reasons to choose from. But the one she produced was unexpectedly simple; it might even have been prompted by despair at not finding others. "I like her because YOU made her!" she exclaimed with a laugh, moving again away from her companion.
Wayworth laughed still louder. "You made her a little yourself. I've thought of her as looking like you."
"She ought to look much better," said Mrs. Alsager. "No, certainly, I shouldn't do what SHE does."
"Not even in the same circumstances?"
"I should never find myself in such circumstances. They're exactly your play, and have nothing in common with such a life as mine. However," Mrs. Alsager went on, "her behaviour was natural for HER, and not only natural, but, it seems to me, thoroughly beautiful and noble. I can't sufficiently admire the talent and tact with which you make one accept it, and I tell you frankly that it's evident to me there must be a brilliant future before a young man who, at the start, has been capable of such a stroke as that. Thank heaven I can admire Nona Vincent as intensely as I feel that I don't resemble her!"
"Don't exaggerate that," said Allan Wayworth.
"My admiration?"
"Your dissimilarity. She has your face, your air, your voice, your motion; she has many elements of your being."
"Then she'll damn your play!" Mrs. Alsager replied. They joked a little over this, though it was not in the tone of pleasantry that Wayworth's hostess soon remarked: "You've got your remedy, however: have her done by the right woman."
"Oh, have her 'done'--have her 'done'!" the young man gently wailed.
"I see what you mean, my poor friend. What a pity, when it's such a magnificent part--such a chance for a clever serious girl! Nona Vincent is practically your play--it will be open to her to carry it far or to drop it at the first corner."
"It's a charming prospect," said Allan Wayworth, with sudden scepticism. They looked at each other with eyes that, for a lurid moment, saw the worst of the worst; but before they parted they had exchanged vows and confidences that were dedicated wholly to the ideal. It is not to be supposed, however, that the knowledge that Mrs. Alsager would help him made Wayworth less eager to help himself. He did what he could and felt that she, on her side, was doing no less; but at the end of a year he was obliged to recognise that their united effort had mainly produced the fine flower of discouragement. At the end of a year the lustre had, to his own eyes, quite faded from his unappreciated masterpiece, and he found himself writing for a biographical dictionary little lives of celebrities he had never heard of. To be printed, anywhere and anyhow, was a form of glory for a man so unable to be acted, and to be paid, even at encyclopaedic rates, had the consequence of making one resigned and verbose. He couldn't smuggle style into a dictionary, but he could at least reflect that he had done his best to learn from the drama that it is a gross impertinence almost anywhere. He had knocked at the door of every theatre in London, and, at a ruinous expense, had multiplied type-copies of Nona Vincent to replace the neat transcripts that had descended into the managerial abyss. His play was not even declined--no such flattering intimation was given him that it had been read. What the managers would do for Mrs. Alsager concerned him little today; the thing that was relevant was that they would do nothing for HIM. That charming woman