Noa Noa | Page 8

Paul Gauguin
to others.
I indeed believe Totefa is the first human being in the world who used such words toward me. It was the language of a savage or of a child, for one must be either one of these--must one not?--to imagine that an artist might be a useful human being.
It happened once that I had need of rosewood for my carving. I wanted a large strong trunk, and I consulted Totefa.
"We have to go into the mountains," he told me. "I know a certain spot where there are several beautiful trees. If you wish it I will lead you. We can then fell the tree which pleases you and together carry it here."
We set out early in the morning.
The footpaths in Tahiti are rather difficult for a European, and "to go into the mountains" demands even of the natives a degree of effort which they do not care to undertake unnecessarily.
Between two mountains, two high and steep walls of basalt, which it is impossible to ascend, there yawns a fissure in which the water winds among rocks. These blocks have been loosened from the flank of the mountain by infiltrations in order to form a passageway for a spring. The spring grew into a brook, which has thrust at them and jolted them, and then moved them a little further. Later the brook when it became a torrent took them up, rolled them over and over, and carried them even to the sea. On each side of this brook, frequently interrupted by cascades, there is a sort of path. It leads through a confusion of trees--breadfruit, ironwood, pandanus, bouraos, cocoanut, hibiscus, guava, giant-ferns. It is a mad vegetation, growing always wilder, more entangled, denser, until, as we ascend toward the center of the island, it has become an almost impenetrable thicket.
Both of us went naked, the white and blue par??o around the loins, hatchet in hand. Countless times we crossed the brook for the sake of a short-cut. My guide seemed to follow the trail by smell rather than by sight, for the ground was covered by a splendid confusion of plants, leaves, and flowers which wholly took possession of space.
The silence was absolute but for the plaintive wailing of the water among the rocks. It was a monotonous wail, a plaint so soft and low that it seemed an accompaniment of the silence.
And in this forest, this solitude, this silence were we two--he, a very young man, and I, almost an old man from whose soul many illusions had fallen and whose body was tired from countless efforts, upon whom lay the long and fatal heritage of the vices of a morally and physically corrupt society.
With the suppleness of an animal and the graceful litheness of an androgyne he walked a few paces in advance of me. And it seemed to me that I saw incarnated in him, palpitating and living, all the magnificent plant-life which surrounded us. From it in him, through him there became disengaged and emanated a powerful perfume of beauty.
Was it really a human being walking there ahead of me? Was it the na?��ve friend by whose combined simplicity and complexity I had been so attracted? Was it not rather the Forest itself, the living Forest, without sex--and yet alluring?
Among peoples that go naked, as among animals, the difference between the sexes is less accentuated than in our climates. Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.
On Tahiti the breezes from forest and sea strengthen the lungs, they broaden the shoulders and hips. Neither men nor women are sheltered from the rays of the sun nor the pebbles of the sea-shore. Together they engage in the same tasks with the same activity or the same indolence. There is something virile in the women and something feminine in the men.
This similarity of the sexes make their relations the easier. Their continual state of nakedness has kept their minds free from the dangerous pre-occupation with the "mystery" and from the excessive stress which among civilized people is laid upon the "happy accident" and the clandestine and sadistic colors of love. It has given their manners a natural innocence, a perfect purity. Man and woman are comrades, friends rather than lovers, dwelling together almost without cease,
Continue reading on your phone by scaning this QR Code

 / 27
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.