Noa Noa | Page 5

Paul Gauguin
melodies. Under this music I fell asleep.
Between me and the sky there was nothing except the high frail roof of pandanus leaves, where the lizards have their nests.
I am far, far away from the prisons that European houses are.
A Maori hut does not separate man from life, from space, from the infinite...
In the meantime I felt myself very lonely here.
The inhabitants of the district and I mutually watched each other, and the distance between us remained the same.
By the second day I had exhausted my provisions. What to do? I had imagined that with money I would be able to find all that was necessary for life. I was deceived. Once beyond the threshold of the city, we must turn to Nature in order to live. She is rich, she is generous, she refuses to no one who will ask his share of her treasures of which she has inexhaustible reserves in the trees, in the mountains, in the sea. But one must know how to climb the tall trees, how to go into the mountains, in order to return weighed down with heavy booty. One must know how to catch fish, and how to dive to tear loose the shellfish so firmly attached to stones at the bottom of the sea.--One must know how, one must be able to do things.
Here was I, a civilized man, distinctly inferior in these things to the savages. I envied them. I looked at their happy, peaceful life round about me, making no further effort than was essential for their daily needs, without the least care about money. To whom were they to sell, when the gifts of Nature were within the reach of every one?
There I was sitting with empty stomach on the threshold of my hut, sadly considering my state, and thinking of the unforeseen, perhaps insurmountable, obstacles which Nature has created for her protection and placed between herself and him who comes from a civilized world, when I saw a native gesticulating and calling out something to me. The expressive gestures interpreted the words, and I understood that my neighbor was inviting me to dinner. With a shake of the head I declined. Then I reentered my hut, ashamed, I believe equally because charity had been offered me, and because I had refused it.
A few minutes later a little girl without saying anything left some cooked vegetables in front of my door, and also fruit wrapped neatly in green freshly picked leaves. I was hungry, and likewise without a word I accepted the gift.
A little later, the man passed in front of my hut, and, smiling, but without stopping, said in a questioning tone,
"Pa?��a?"
I divined, "Are you contented?"
This was the beginning of a reciprocal understanding between the savages and myself.
"Savages!" This word came involuntarily to my lips when I looked at these black beings with their cannibal-like teeth. However, I already had a glimpse of their genuine, their strange grace ... I remembered the little brown head with the placid eyes cast to the ground, which from under the clusters of large giromon leaves watched me one morning without my knowing it, and fled when my glance met hers...
As they were to me, so was I to them, an object for observation, a cause of astonishment--one to whom everything was new, one who was ignorant of everything. For I knew neither their language, nor their customs, not even the simplest, most necessary manipulations. As each one of them was a savage to me, so was I a savage to each one of them.
And which of us two was wrong?
I tried to work, making all kinds of notes and sketches.
But the landscape with its violent, pure colors dazzled and blinded me. I was always uncertain; I was seeking, seeking...
In the meantime, it was so simple to paint things as I saw them; to put without special calculation a red close to a blue. Golden figures in the brooks and on the seashore enchanted me. Why did I hesitate to put all this glory of the sun on my canvas?
Oh! the old European traditions! The timidities of expression of degenerate races!
In order to familiarize myself with the distinctive characteristics of the Tahitian face, I had wished for a long time to make a portrait of one of my neighbors, a young woman of pure Tahitian extraction.
One day she finally became emboldened enough to enter my hut, and to look at photographs of paintings which I had hung on one of the walls of my room. She regarded the Olympia for a long time and with special interest.
"What do you think of her?" I asked. I had learned a few Tahitian words during the two months since I had last spoken French.
My neighbor replied, "She is very beautiful!"
I smiled at this remark, and
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