too solid Prince wore his hair low 
on his neck and a golden fillet bound his brows. Silent, he was noble. 
His walk as he came in at the end of a procession of court ladies and 
gentlemen was magnificent--slow, dejected, imperious, aloof. But 
Wittenberg had a great deal to answer for, if he had contracted his 
accent there. 
Gertrude, Queen of Denmark, was a Hyacinth who worked daily at 
hooks and buttonholes for an East Broadway tailor. On this night she 
wore none of her regalia save her crown and the King had done nothing 
at all to differentiate himself from Susie Lacov who officiated as 
waitress in a Jewish lunchroom. 
The Hyacinths had wisely decided to edit Hamlet. In this they followed 
an almost universal principle and their method was also time-honored. 
All the scenes in which unimportant members of the club or cast "came 
out strong," were eliminated. So far the Hyacinths were orthodox, but 
Rosie Rosenbaum, Prince, President and Censor, went a step further. 
"Git busy. Mix her up, why don't you!" she commanded later from the 
wings. The other players were laboriously wading through persiflage 
and conversation. "You folks ain't done nothin' the last ten minutes 
only stand there and gas. Is that actin'? Maybe it's wrote in the book. 
What I want to know is--is it actin'?" Burgess sat suddenly erect and his 
eyes glowed. Miss Masters half rose to assume authority but he 
restrained her. 
"You shut up and leave me be," Polonius cried. "Ain't I got a right to 
say good-bye to my son?" 
"You can say good-bye all right," Rosie reminded her, "without puttin' 
up that game of talk. Give him a 'I'll be a sister to you' on the cheek an' 
git through sometime before to-morrow. Cut it, I tell you." 
This "off with his head" attitude on the President's part delighted 
Burgess. But the caste enjoyed it less and when the ghost was docked
of a whole scene it grew rebellious. 
"If you give me any more of your lip," said the princely stage manager, 
"I'll trow you out altogether. There's lots of people wouldn't believe in 
ghosts anyway. Me grandfather seen this play in Chermany and he told 
me they didn't use the ghost at all. Nothin' but a green light with a voice 
comin' out of it." 
"Well, I could be the voice, couldn't I?" the ghost argued; and it was at 
this point that Miss Masters took charge of the meeting and introduced 
Mr. Burgess. 
"Who has offered," she went on in spite of his energetic pantomime of 
disclaimer, "to help us with our play." 
"That's real sweet of you, Mr. Burgess," said the President graciously. 
"Not at all--not at all," he answered. "It will be a pleasure, I assure 
you." 
"You'll excuse me, I'm sure," the Secretary broke in, "if we go right on 
with our woik while you're here. We're makin' our own costoomes, as 
much as we can. That was one reason us young ladies chose Hamlet. 
It's a play what everyone wears skoits in. It's easier for us and it ain't so 
embarrassing, and I guess our folks will like it better. You have to think 
of your folks sometimes. Even if they are old-fashioned. Miss Masters 
got us pictures of Mr. Marsden's production an' every last one of the 
characters has skoits on. Hamlet's ain't no longer than a bathin' suit, but 
anyway it's there. I don't think it's real refined, myself, for young ladies 
to wear gents' suits on the stage." 
"And of course," a gentle-eyed little girl looked up from her sewing to 
remark,--"of course this club ain't formed just for makin' shirt waists. 
We've got a culture-an'-refinement clause in the club constitution, so 
we wouldn't want to do nothin' that wasn't real refined." 
[Illustration: BURGESS GAINED AN INTEREST AND AN 
OCCUPATION MORE ABSORBING THAN HE HAD FOUND FOR
MANY YEARS.] 
"I understand," said Burgess more at a loss than a conversation had 
ever found him, "And what may I ask, is your part of the play?" 
"Mamie Conners is too nervous," the lady President explained "to come 
right out and act. She's 'A flourish of trumpets within an' a voice 
without an' a lady of the court an' a soldier an' a choir boy at the 
funeral.'" 
"Ah, Miss Conners," Burgess assured this timid but versatile Hyacinth, 
"that's only stage fright, all great actresses suffer from it at one time or 
another." 
* * * * * 
During the weeks that followed, order gradually gained sway in 
Denmark and Burgess gained an interest and an occupation more 
absorbing than he had found for many years. 
"My dear Margaret," he was wont to assure Miss Masters, when she 
remonstrated with him upon his generosity, "Why shouldn't I order 
supper to be    
    
		
	
	
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