he was sent out on night detail to fight river pirates stealing from the coal-road barges.
In the meantime, being eager and unsatisfied, he studied his city. Laboriously and patiently he made himself acquainted with the ways of the underworld. He saw that all his future depended upon acquaintanceship with criminals, not only with their faces, but with their ways and their women and their weaknesses. So he started a gallery, a gallery of his own, a large and crowded gallery between walls no wider than the bones of his own skull. To this jealously guarded and ponderously sorted gallery he day by day added some new face, some new scene, some new name. Crook by crook he stored them away there, for future reference. He got to know the "habituals" and the "timers," the "gangs" and their "hang outs" and "fences." He acquired an array of confidence men and hotel beats and queer shovers and bank sneaks and wire tappers and drum snuffers. He made a mental record of dips and yeggs and till-tappers and keister-crackers, of panhandlers and dummy chuckers, of sun gazers and schlaum workers. He slowly became acquainted with their routes and their rendezvous, their tricks and ways and records. But, what was more important, he also grew into an acquaintanceship with ward politics, with the nameless Power above him and its enigmatic traditions. He got to know the Tammany heelers, the men with "pull," the lads who were to be "pounded" and the lads who were to be let alone, the men in touch with the "Senator," and the gangs with the fall money always at hand.
Blake, in those days, was a good "mixer." He was not an "office" man, and was never dubbed high-brow. He was not above his work; no one accused him of being too refined for his calling. Through a mind such as his the Law could best view the criminal, just as a solar eclipse is best viewed through smoked glass.
He could hobnob with bartenders and red-lighters, pass unnoticed through a slum, join casually in a stuss game, or loaf unmarked about a street corner. He was fond of pool and billiards, and many were the unconsidered trifles he picked up with a cue in his hand. His face, even in those early days, was heavy and inoffensive. Commonplace seemed to be the word that fitted him. He could always mix with and become one of the crowd. He would have laughed at any such foolish phrase as "protective coloration." Yet seldom, he knew, men turned back to look at him a second time. Small-eyed, beefy and well-fed, he could have passed, under his slightly tilted black boulder, as a truck driver with a day off.
What others might have denominated as "dirty work" he accepted with heavy impassivity, consoling himself with the contention that its final end was cleanness. And one of his most valuable assets, outside his stolid heartlessness, was his speaking acquaintanceship with the women of the underworld. He remained aloof from them even while he mixed with them. He never grew into a "moll-buzzer." But in his rough way he cultivated them. He even helped some of them out of their troubles--in consideration for "tips" which were to be delivered when the emergency arose. They accepted his gruffness as simple-mindedness, as blunt honesty. One or two, with their morbid imaginations touched by his seeming generosities, made wistful amatory advances which he promptly repelled. He could afford to have none of them with anything "on" him. He saw the need of keeping cool headed and clean handed, with an eye always to the main issue.
And Blake really regarded himself as clean handed. Yet deep in his nature was that obliquity, that adeptness at trickery, that facility in deceit, which made him the success he was. He could always meet a crook on his own ground. He had no extraneous sensibilities to eliminate. He mastered a secret process of opening and reading letters without detection. He became an adept at picking a lock. One of his earlier successes had depended on the cool dexterity with which he had exchanged trunk checks in a Wabash baggage car at Black Rock, allowing the "loft" thief under suspicion to carry off a dummy trunk, while he came into possession of another's belongings and enough evidence to secure his victim's conviction.
At another time, when "tailing" on a badger-game case, he equipped himself as a theatrical "bill-sniper," followed his man about without arousing suspicion, and made liberal use of his magnetized tack-hammer in the final mix up when he made his haul. He did not shirk these mix ups, for he was endowed with the bravery of the unimaginative. This very mental heaviness, holding him down to materialities, kept his contemplation of contingencies from becoming
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