and the lectures at the Sorbonne, Nelka also studied music, in particular the violin, and at a time was quite proficient in it, though she did not keep it up, as she did with painting, which she continued for a number of years.
Nelka's mother tried to bring her up in the Russian spirit with a great veneration for the memory of her father. Nelka grew up with a burning nationalistic feeling for Russia and a veneration for the Russian Emperor. Her mother kept up relations with such Russians as she knew or who were with the Russian Embassy when in Washington. And later, when she grew up, Nelka continually kept up with her Russian friends.
I think characteristic of Nelka was her highly emotional expressions of loyalty and devotion, an emotion which dominated all of her life and all of her actions. Anything she did or undertook was primarily motivated by emotion or feeling rather than reason, but once decided upon was carried out with determination and a great deal of will power.
But because the difference of national attachments and the resulting conflict there was always a tearing apart and a division, a duality of attachments both to Russia and to America, and this seems to have been an emotional disturbance which lasted with her for a great many years.
Her first, overwhelming emotional feeling was a patriotic nationalistic devotion to Russia and a mystic devotion to the Emperor and the Russian Orthodox Church. Then her next emotional feelings embraced the devotion and loyalty for her family and her kin.
But in Russia she had no relatives and all her family was in America. Because of that there seemed always a conflict of emotions, attachments and loyalties which dominated as a disturbance throughout her life, at least through the first half of it. This conflict of feelings was upsetting and painful and she suffered a great deal from the frustrations that these emotions often brought about.
The Russian education of feelings for Russia which her mother tried to install in her succeeded, for throughout life Nelka remained a faithful Russian in all of her feelings and while having so many ties in America, and being herself half American, she was constantly in conflict with the 'American way of life.'
From her early childhood Nelka had a tremendous love and devotion not only to her mother but also to her two aunts, Miss Blow and Mrs. Wadsworth. When in America she and her mother would stay either in Ashantee with the Wadsworths or in Cazenovia where Miss Blow had her home.
Early in life she was seeking and trying to think things out. She was never satisfied, never ready to accept something but always tried to analyze it through her own thinking. At the age of twenty she wrote in 1898:
"I have absolutely no facility for expression; that is what is the matter. I see persons so clever, so talented, and genuine in their line and with absolutely distorted points of view. How aggravating. I feel that in due time I may get to see something clearly (at least thus far, if I do not see things clearly, I have not been pleased to see any other way), and I am craving a means of giving out. You will say I need the persistence to educate myself in the technique of some mode of rendering my impressions. I suppose it is so. That is what I have always meant with this desire to 'exhaust' myself. I need to work. I need to give out or I shall have such a mental indigestion that I shall no longer be able to form a single thought. As it is, so many things are fleeting through me in incompleteness, in mere suggestion and so simultaneously at that, that I am bewildered. O, for complete cessation of consciousness, since this consciousness is but that of an amalgamation quantity of incomprehensible suggestions, or else, for a vent for some of this shapeless, immature acquisition, so that something at least can complete itself."
Was this just a disturbance of youth, of any youth, not completely empty-headed, frivolous or superficial, or was this the result of a distinct inheritance of two very different and opposing personalities, of so different nationalities and with an addition of even tartar blood? I don't know. The fact remains that she was constantly emotionally disturbed and constantly seeking the answers of life, that so many have done and so few have found.
In the same year, not long before her mother died, she wrote from Narragansett Pier 1898:
"I am very much puzzled still on individuality, that is, on its everlasting existence. I do not see at all how it can be, but I am waiting. Perhaps I can see soon. I have been trying to get a definition for art and
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