themselves a few yards to recommence hovering. A greenfinch rises with a yellow gleam and a sweet note from the grass, and is off with something for his brood, or a starling, solitary now, for his mate is in the nest, startled from his questing, goes straight away.
Dark starlings, greenfinch, gilded fly, glistening beetle, blue butterfly, humble bee with scarf about his thick waist, add their moving dots of colour to the surface. There is no design, no balance, nothing like a pattern perfect on the right-hand side, and exactly equal on the left-hand. Even trees which have some semblance of balance in form are not really so, and as you walk round them so their outline changes.
Now the path approaches a stile set deep in thorns and brambles, and hardly to be gained for curved hooks and prickles. But on the briars June roses bloom, arches of flowers over nettles, burdock, and rushes in the ditch beneath. Sweet roses--buds yet unrolled, white and conical; roses half open and pink tinted; roses widespread, the petals curling backwards on the hedge, abandoning their beauty to the sun. In the pasture over the stile a roan cow feeds unmoved, calmly content, gathering the grass with rough tongue. It is not only what you actually see along the path, but what you remember to have seen, that gives it its beauty.
From hence the path skirts the hedge enclosing a copse, part of which had been cut in the winter, so that a few weeks since in spring the bluebells could be seen, instead of being concealed by the ash branches and the woodbine. Among them grew one with white bells, like a lily, solitary in the midst of the azure throng. A "drive," or green lane passing between the ash-stoles, went into the copse, with tufts of tussocky grass on either side and rush bunches, till farther away the overhanging branches, where the poles were uncut, hid its course.
Already the grass has hidden the ruts left by the timber carriages--the last came by on May-day with ribbons of orange, red, and blue on the horses' heads for honour of the day. Another, which went past in the wintry weeks of the early year, was drawn by a team wearing the ancient harness with bells under high hoods, or belfries, bells well attuned, too, and not far inferior to those rung by handbell men. The beat of the three horses' hoofs sounds like the drum that marks time to the chime upon their backs. Seldom, even in the far away country, can that pleasant chime be heard.
But now the timber is all gone, the ruts are hidden, and the tall spruce firs, whose graceful branches were then almost yellow with young needles on the tip, are now clothed in fresh green. On the bank there is a flower which is often gathered for the forget-me-not, and is not unlike it at the first glance; but if the two be placed side by side, this, the scorpion grass, is but a pale imitation of the true plant; its petals vary in colour and are often dull, and it has not the yellow central spot. Yet it is not unfrequently sold in pots in the shops as forget-me-not. It flowers on the bank, high above the water of the ditch.
The true forget-me-not can hardly be seen in passing, so much does it nestle under flags and behind sedges, and it is not easy to gather because it flowers on the very verge of the running stream. The shore is bordered with matted vegetation, aquatic grass, and flags and weeds, and outside these, where its leaves are washed and purified by the clear stream, its blue petals open. Be cautious, therefore, in reaching for the forget-me-not, lest the bank be treacherous.
It was near this copse that in early spring I stayed to gather some white sweet violets, for the true wild violet is very nearly white. I stood close to a hedger and ditcher, who, standing on a board, was cleaning out the mud that the water might run freely. He went on with his work, taking not the least notice of an idler, but intent upon his labour, as a good and true man should be. But when I spoke to him he answered me in clear, well-chosen language, well pronounced, "in good set terms."
No slurring of consonants and broadening of vowels, no involved and backward construction depending on the listener's previous knowledge for comprehension, no half sentences indicating rather than explaining, but correct sentences. With his shoes almost covered by the muddy water, his hands black and grimy, his brown face splashed with mud, leaning on his shovel he stood and talked from the deep ditch, not much more than head and shoulders visible above
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