Narrative Poems, part 5, Among Hill etc | Page 2

John Greenleaf Whittier
the air?In hot midsummer, bookless, pictureless,?Save the inevitable sampler hung?Over the fireplace, or a mourning piece,?A green-haired woman, peony-cheeked, beneath?Impossible willows; the wide-throated hearth?Bristling with faded pine-boughs half concealing?The piled-up rubbish at the chimney's back;?And, in sad keeping with all things about them,?Shrill, querulous-women, sour and sullen men,?Untidy, loveless, old before their time,?With scarce a human interest save their own?Monotonous round of small economies,?Or the poor scandal of the neighborhood;?Blind to the beauty everywhere revealed,?Treading the May-flowers with regardless feet;?For them the song-sparrow and the bobolink?Sang not, nor winds made music in the leaves;?For them in vain October's holocaust?Burned, gold and crimson, over all the hills,?The sacramental mystery of the woods.?Church-goers, fearful of the unseen Powers,?But grumbling over pulpit-tax and pew-rent,?Saving, as shrewd economists, their souls?And winter pork with the least possible outlay?Of salt and sanctity; in daily life?Showing as little actual comprehension?Of Christian charity and love and duty,?As if the Sermon on the Mount had been?Outdated like a last year's almanac?Rich in broad woodlands and in half-tilled fields,?And yet so pinched and bare and comfortless,?The veriest straggler limping on his rounds,?The sun and air his sole inheritance,?Laughed at a poverty that paid its taxes,?And hugged his rags in self-complacency!
Not such should be the homesteads of a land?Where whoso wisely wills and acts may dwell?As king and lawgiver, in broad-acred state,?With beauty, art, taste, culture, books, to make?His hour of leisure richer than a life?Of fourscore to the barons of old time,?Our yeoman should be equal to his home?Set in the fair, green valleys, purple walled,?A man to match his mountains, not to creep?Dwarfed and abased below them. I would fain?In this light way (of which I needs must own?With the knife-grinder of whom Canning sings,?"Story, God bless you! I have none to tell you!")?Invite the eye to see and heart to feel?The beauty and the joy within their reach,--?Home, and home loves, and the beatitudes?Of nature free to all. Haply in years?That wait to take the places of our own,?Heard where some breezy balcony looks down?On happy homes, or where the lake in the moon?Sleeps dreaming of the mountains, fair as Ruth,?In the old Hebrew pastoral, at the feet?Of Boaz, even this simple lay of mine?May seem the burden of a prophecy,?Finding its late fulfilment in a change?Slow as the oak's growth, lifting manhood up?Through broader culture, finer manners, love,?And reverence, to the level of the hills.
O Golden Age, whose light is of the dawn,?And not of sunset, forward, not behind,?Flood the new heavens and earth, and with thee bring?All the old virtues, whatsoever things?Are pure and honest and of good repute,?But add thereto whatever bard has sung?Or seer has told of when in trance and dream?They saw the Happy Isles of prophecy?Let Justice hold her scale, and Truth divide?Between the right and wrong; but give the heart?The freedom of its fair inheritance;?Let the poor prisoner, cramped and starved so long,?At Nature's table feast his ear and eye?With joy and wonder; let all harmonies?Of sound, form, color, motion, wait upon?The princely guest, whether in soft attire?Of leisure clad, or the coarse frock of toil,?And, lending life to the dead form of faith,?Give human nature reverence for the sake?Of One who bore it, making it divine?With the ineffable tenderness of God;?Let common need, the brotherhood of prayer,?The heirship of an unknown destiny,?The unsolved mystery round about us, make?A man more precious than the gold of Ophir.?Sacred, inviolate, unto whom all things?Should minister, as outward types and signs?Of the eternal beauty which fulfils?The one great purpose of creation, Love,?The sole necessity of Earth and Heaven!
. . . . . . . . . . .
For weeks the clouds had raked the hills?And vexed the vales with raining,?And all the woods were sad with mist,?And all the brooks complaining.
At last, a sudden night-storm tore?The mountain veils asunder,?And swept the valleys clean before?The besom of the thunder.
Through Sandwich notch the west-wind sang?Good morrow to the cotter;?And once again Chocorua's horn?Of shadow pierced the water.
Above his broad lake Ossipee,?Once more the sunshine wearing,?Stooped, tracing on that silver shield?His grim armorial bearing.
Clear drawn against the hard blue sky,?The peaks had winter's keenness;?And, close on autumn's frost, the vales?Had more than June's fresh greenness.
Again the sodden forest floors?With golden lights were checkered,?Once more rejoicing leaves in wind?And sunshine danced and flickered.
It was as if the summer's late?Atoning for it's sadness?Had borrowed every season's charm?To end its days in gladness.
Rivers of gold-mist flowing down?From far celestial fountains,--?The great sun flaming through the rifts?Beyond the wall of mountains.
We paused at last where home-bound cows?Brought down the pasture's treasure,?And in the barn the rhythmic flails?Beat out a harvest measure.
We heard the night-hawk's sullen plunge,?The crow his tree-mates calling?The shadows lengthening down the slopes?About our feet were falling.
And through them smote the level sun?In broken lines of splendor,?Touched the gray
Continue reading on your phone by scaning this QR Code

 / 15
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.