Nana | Page 6

of men were besieging with their queries. "You're going to see her, and I'm off; they want me."
He disappeared, enchanted at having fired his public. Mignon shrugged his shoulders, reminding Steiner that Rose was awaiting him in order to show him the costume she was about to wear in the first act.
"By Jove! There's Lucy out there, getting down from her carriage," said La Faloise to Fauchery.
It was, in fact, Lucy Stewart, a plain little woman, some forty years old, with a disproportionately long neck, a thin, drawn face, a heavy mouth, but withal of such brightness, such graciousness of manner, that she was really very charming. She was bringing with her Caroline Hequet and her mother--Caroline a woman of a cold type of beauty, the mother a person of a most worthy demeanor, who looked as if she were stuffed with straw.
"You're coming with us? I've kept a place for you," she said to Fauchery. "Oh, decidedly not! To see nothing!" he made answer. "I've a stall; I prefer being in the stalls."
Lucy grew nettled. Did he not dare show himself in her company? Then, suddenly restraining herself and skipping to another topic:
"Why haven't you told me that you knew Nana?"
"Nana! I've never set eyes on her."
"Honor bright? I've been told that you've been to bed with her."
But Mignon, coming in front of them, his finger to his lips, made them a sign to be silent. And when Lucy questioned him he pointed out a young man who was passing and murmured:
"Nana's fancy man."
Everybody looked at him. He was a pretty fellow. Fauchery recognized him; it was Daguenet, a young man who had run through three hundred thousand francs in the pursuit of women and who now was dabbling in stocks, in order from time to time to treat them to bouquets and dinners. Lucy made the discovery that he had fine eyes.
"Ah, there's Blanche!" she cried. "It's she who told me that you had been to bed with Nana."
Blanche de Sivry, a great fair girl, whose good-looking face showed signs of growing fat, made her appearance in the company of a spare, sedulously well-groomed and extremely distinguished man.
"The Count Xavier de Vandeuvres," Fauchery whispered in his companion's ear.
The count and the journalist shook hands, while Blanche and Lucy entered into a brisk, mutual explanation. One of them in blue, the other in rose-pink, they stood blocking the way with their deeply flounced skirts, and Nana's name kept repeating itself so shrilly in their conversation that people began to listen to them. The Count de Vandeuvres carried Blanche off. But by this time Nana's name was echoing more loudly than ever round the four walls of the entrance hall amid yearnings sharpened by delay. Why didn't the play begin? The men pulled out their watches; late-comers sprang from their conveyances before these had fairly drawn up; the groups left the sidewalk, where the passers-by were crossing the now-vacant space of gaslit pavement, craning their necks, as they did so, in order to get a peep into the theater. A street boy came up whistling and planted himself before a notice at the door, then cried out, "Woa, Nana!" in the voice of a tipsy man and hied on his way with a rolling gait and a shuffling of his old boots. A laugh had arisen at this. Gentlemen of unimpeachable appearance repeated: "Nana, woa, Nana!" People were crushing; a dispute arose at the ticket office, and there was a growing clamor caused by the hum of voices calling on Nana, demanding Nana in one of those accesses of silly facetiousness and sheer animalism which pass over mobs.
But above all the din the bell that precedes the rise of the curtain became audible. "They've rung; they've rung!" The rumor reached the boulevard, and thereupon followed a stampede, everyone wanting to pass in, while the servants of the theater increased their forces. Mignon, with an anxious air, at last got hold of Steiner again, the latter not having been to see Rose's costume. At the very first tinkle of the bell La Faloise had cloven a way through the crowd, pulling Fauchery with him, so as not to miss the opening scene. But all this eagerness on the part of the public irritated Lucy Stewart. What brutes were these people to be pushing women like that! She stayed in the rear of them all with Caroline Hequet and her mother. The entrance hall was now empty, while beyond it was still heard the long-drawn rumble of the boulevard.
"As though they were always funny, those pieces of theirs!" Lucy kept repeating as she climbed the stair.
In the house Fauchery and La Faloise, in front of their stalls, were gazing about them anew. By this time the house was resplendent. High jets of