Nan of Music Mountain | Page 5

his idle moments toying with the firearms. He busied himself now with the mechanism of a huge revolver one that the stage-driver, Frank Elpaso, had wrecked on the head of a troublesome negro coming in from the mines. De Spain in turn took off his hat, poked the crown discontentedly, and, rising with a loss of amiability in his features and manner, walked out of the room.
The late sun was streaming down the full length of Main Street. The street was still filled with loiterers who had spent the day at the fair, and lingered now in town in the vague hope of seeing a brawl or a fight before sundown cattlemen and cowboys from the northern ranges, sheepmen from the Spider River country, small ranchers and irrigators from the Bear basin, who picked their steps carefully, and spoke with prudence in the presence of roisterers from the Spanish Sinks, and gunmen and gamblers from Calabasas and Morgan's Gap. The Morgans themselves and their following were out to the last retainer.
CHAPTER II
THE THIEF RIVER STAGE LINE
SLEEPY CAT has little to distinguish it in its casual appearance from the ordinary mountain railroad town of the western Rockies. The long, handsome railroad station, the eating-house, and the various division-headquarters buildings characteristic of such towns are in Sleepy Cat built of local granite. The yard facilities, shops, and roundhouses are the last word in modern rail road construction, and the division has not infrequently held the medal for safety records.
But more than these things go toward making up the real Sleepy Cat. It is a community with earlier-than-railroad traditions. Sleepy Cat has been more or less of a settlement almost since the day of Jim Bridger, and its isolated position in the midst of a country of vast deserts, far mountain ranges, and widely separated watercourses has made it from the earliest Western days a rendezvous for hunters, trappers, emigrants, prospectors, and adventurers and these have all, in some measure, left their impress on the town.
Sleepy Cat lies prettily on a high plateau north and east of the railroad, which makes a detour here to the north to round the Superstition Range; it is a county-seat, and this, where counties are as large as ordinary Eastern States, gives it some political distinction.
The principal street lies just north of the rail road, and parallels it. A modern and substantial hotel has for some years filled the corner above the station. The hotel was built by Harry Tenison soon after the opening of the Thief River gold-fields. Along Main Street to the west are strung the usual mountain-town stores and saloons, but to the north a pretty residence district has been built up about the court-house square. And a good water-supply, pumped from Rat River, a brawling mountain stream that flows just south of the town, has encouraged the care of lawns and trees.
Before de Spain had walked far he heard music from the open-air dancing-pavilion in Grant Street. Stirred by an idle curiosity, he turned the corner and stopped to watch the crowded couples whirling up and down the raised platform under paper lanterns and red streamers to the music of an automatic piano. He took his place in a fringe of onlookers that filled the sidewalk. But he was thinking as he stood, not of the boisterous dancing or the clumsy dancers, but of the broken lever and the defeat at the fair-grounds. It still rankled in his mind. While he stood thinking the music ceased.
A man, who appeared to be in authority, walked to the centre of the dancing-floor and made an announcement that de Spain failed to catch. The manager apparently repeated it to those of his patrons that crowded around him, and more than once to individual inquirers who had not caught the purport of what had been said. These late comers he pushed back, and when the floor had been well cleared he nodded to the boy operating the piano, and looked toward a young couple standing in an attitude of waiting at the head of the hall.
All eyes being turned their way, de Spain's at tention as well was drawn toward them. The man was powerful in stature, and rather too heavy, but straight as an Indian. His small, reddish face was tanned by the sun and wind, and his manner as he stood with arms akimbo, his hands resting on his belt, facing his partner and talking to her, had the confidence of a man at ease with women. From the handsome hat which, as he turned to his partner for the dance, he sent spin ning toward a table beside the piano, the soft brown shirt and flowing tie, down to the small, high-heeled and spurred boots, he wore the distinctive cowboy rig of the mountains,