cause: [1] distribution of this etext, [2]
alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by disk, book
or any other medium if you either delete this "Small Print!" and all
other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that
you do not remove, alter or modify the etext or this "small print!"
statement. You may however, if you wish, distribute this etext in
machine readable binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro- cessing or
hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not*
contain characters other than those intended by the author of the work,
although tilde (~), asterisk (*) and underline (_) characters may be used
to convey punctuation intended by the author, and additional characters
may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into
plain ASCII, EBCDIC or equivalent form by the program that displays
the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional
cost, fee or expense, a copy of the etext in its original plain ASCII form
(or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small
Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits
you derive calculated using the method you already use to calculate
your applicable taxes. If you don't derive profits, no royalty is due.
Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following
each date you prepare (or were legally required to prepare) your annual
(or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU
DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning
machines, OCR software, public domain etexts, royalty free copyright
licenses, and every other sort of contribution you can think of. Money
should be paid to "Project Gutenberg Association / Carnegie-Mellon
University".
We are planning on making some changes in our donation structure in
2000, so you might want to email me,
[email protected] beforehand.
*END THE SMALL PRINT! FOR PUBLIC DOMAIN
ETEXTS*Ver.04.29.93*END*
This Project Gutenberg Etext presented by Justin Philips
Nan Sherwood at Pine Camp
or The Old Lumberman's Secret
by Annie Roe Carr
Chapter I
THE YELLOW POSTER
"Oh, look there, Nan!" cried Bess Harley suddenly, as they turned into
High Street from the avenue on which Tillbury's high school was
situated.
"Look where?" queried Nan Sherwood promptly. "Up in the air, down
on the ground or all around?" and she carried out her speech in action,
finally spinning about on one foot in a manner to shock the more staid
Elizabeth.
"Oh, Nan!"
"Oh, Bess!" mocked her friend.
She was a rosy-cheeked, brown-eyed girl, with fly-away hair, a blue
tam-o'-shanter set jauntily upon it, and a strong, plump body that she
had great difficulty in keeping still enough in school to satisfy her
teachers.
"Do behave, Nan," begged Bess. "We're on the public street."
"How awful!" proclaimed Nan Sherwood, making big eyes at her chum.
"Why folks know we're only high-school girls. so, of course, we're
crazy! Otherwise we wouldn't BE high-school girls."
"Nonsense!" cried Bess, interrupting. Do be reasonable, Nan. And look
yonder! What do you suppose that crowd is at the big gate of the
Atwater Mills?"
Nan Sherwood's merry face instantly clouded. She was not at all a
thoughtless girl, although she was of a sanguine, cheerful temperament.
The startled change in her face amazed Bess.
"Oh dear!" the latter cried. "What is it? Surely, there's nobody hurt in
the mills? Your father-----"
"I'm afraid, Bess dear, that it means there are a great many hurt in the
mills."
"Oh, Nan! How horridly you talk," cried Bess. "That is impossible."
"Not hurt in the machinery, not mangled by the looms," Nan went on to
say, gravely. "But dreadfully hurt nevertheless, Bess. Father has been
expecting it, I believe. Let's go and read the poster."
"Why it is a poster, isn't it?" cried Bess. "What does it say?"
The two school girls, both neatly dressed and carrying their bags of text
books, pushed into the group before the yellow quarter-sheet poster
pasted on the fence.
The appearance of Nan and Bess was distinctly to their advantage when
compared with that of the women and girls who made up the most of
the crowd interested in the black print upon the poster.
The majority of these whispering, staring people