made gingerbread babies in the likeness of his own fat offspring. Good churchman though he was, the bane of his life was a fear of being bewitched, and perhaps it was to keep out evil spirits, who might make one last effort to gain the mastery over him, ere he turned the customary leaf with the incoming year, that he had primed himself with an extra glass of spirits on the last night of 1654. His sales had been brisk, and as he sat in his little shop, meditating comfortably on the gains he would make when his harmless rivals--the knikkerbakkers (bakers of marbles)--sent for their usual supply of olie-koeks and mince-pies on the morrow, he was startled by a sharp rap, and an ugly old woman entered. "Give me a dozen New Year's cookies!" she cried, in a shrill voice.
"Vell, den, you needn' sbeak so loud. I aind teaf, den."
"A dozen!" she screamed. "Give me a dozen. Here are only twelve."
"Vell, den, dwalf is a dozen."
"One more! I want a dozen."
"Vell, den, if you vant anodder, go to de duyvil and ged it."
Did the hag take him at his word? She left the shop, and from that time it seemed as if poor Volckert was bewitched, indeed, for his cakes were stolen; his bread was so light that it went up the chimney, when it was not so heavy that it fell through the oven; invisible hands plucked bricks from that same oven and pelted him until he was blue; his wife became deaf, his children went unkempt, and his trade went elsewhere. Thrice the old woman reappeared, and each time was sent anew to the devil; but at last, in despair, the baker called on Saint Nicolaus to come and advise him. His call was answered with startling quickness, for, almost while he was making it, the venerable patron of Dutch feasts stood before him. The good soul advised the trembling man to be more generous in his dealings with his fellows, and after a lecture on charity he vanished, when, lo! the old woman was there in his place.
She repeated her demand for one more cake, and Volckert Jan Pietersen, etc., gave it, whereupon she exclaimed, "The spell is broken, and from this time a dozen is thirteen!" Taking from the counter a gingerbread effigy of Saint Nicolaus, she made the astonished Dutchman lay his hand upon it and swear to give more liberal measure in the future. So, until thirteen new States arose from the ruins of the colonies,--when the shrewd Yankees restored the original measure,--thirteen made a baker's dozen.
THE DEVIL'S DANCE-CHAMBER.
Most storied of our New World rivers is the Hudson. Historic scenes have been enacted on its shores, and Indian, Dutchman, Briton, and American have invested it with romance. It had its source, in the red man's fancy, in a spring of eternal youth; giants and spirits dwelt in its woods and hills, and before the river-Shatemuc, king of streams, the red men called it--had broken through the highlands, those mountains were a pent for spirits who had rebelled against the Manitou. After the waters had forced a passage to the sea these evil ones sought shelter in the glens and valleys that open to right and left along its course, but in time of tempest, when they hear Manitou riding down the ravine on wings of storm, dashing thunderbolts against the cliffs, it is the fear that he will recapture them and force them into lightless caverns to expiate their revolt, that sends them huddling among the rocks and makes the hills resound with roars and howls.
At the Devil's Dance-Chamber, a slight plateau on the west bank, between Newburg and Crom Elbow, the red men performed semi-religious rites as a preface to their hunting and fishing trips or ventures on the war-path. They built a fire, painted themselves, and in that frenzy into which savages are so readily lashed, and that is so like to the action of mobs in trousers, they tumbled, leaped, danced, yelled, sang, grimaced, and gesticulated until the Manitou disclosed himself, either as a harmless animal or a beast of prey. If he came in the former shape the augury was favorable, but if he showed himself as a bear or panther, it was a warning of evil that they seldom dared to disregard.
The crew of Hudson's ship, the Half Moon, having chanced on one of these orgies, were so impressed by the fantastic spectacle that they gave the name Duyvels Dans-Kamer to the spot. Years afterwards, when Stuyvesant ascended the river, his doughty retainers were horrified, on landing below the Dans-Kamer, to discover hundreds of painted figures frisking there in the fire-light. A few surmised that they were but a new generation of savages holding a powwow, but most
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