My Life, vol 1 | Page 7

Richard Wagner
a sincere and warm regard for the widow of his friend. A portrait of her, painted by Geyer during the lifetime of my father, gives one a very favourable impression of what she must have been. Even from the time when my recollection of her is quite distinct, she always had to wear a cap owing to some slight affection of the head, so that I have no recollection of her as a young and pretty mother. Her trying position at the head of a numerous family (of which I was the seventh surviving member), the difficulty of obtaining the wherewithal to rear them, and of keeping up appearances on very limited resources, did not conduce to evolve that tender sweetness and solicitude which are usually associated with motherhood. I hardly ever recollect her having fondled me. Indeed, demonstrations of affection were not common in our family, although a certain impetuous, almost passionate and boisterous manner always characterised our dealings. This being so, it naturally seemed to me quite a great event when one night I, fretful with sleepiness, looked up at her with tearful eyes as she was taking me to bed, and saw her gaze back at me proudly and fondly, and speak of me to a visitor then present with a certain amount of tenderness.
What struck me more particularly about her was the strange enthusiasm and almost pathetic manner with which she spoke of the great and of the beautiful in Art. Under this heading, however, she would never have let me suppose that she included dramatic art, but only Poetry, Music, and Painting. Consequently, she often even threatened me with her curse should I ever express a desire to go on the stage. Moreover, she was very religiously inclined. With intense fervour she would often give us long sermons about God and the divine quality in man, during which, now and again, suddenly lowering her voice in a rather funny way, she would interrupt herself in order to rebuke one of us. After the death of our stepfather she used to assemble us all round her bed every morning, when one of us would read out a hymn or a part of the Church service from the prayer-book before she took her coffee. Sometimes the choice of the part to be read was hardly appropriate, as, for instance, when my sister Clara on one occasion thoughtlessly read the 'Prayer to be said in time of War,' and delivered it with so much expression that my mother interrupted her, saying: 'Oh, stop! Good gracious me! Things are not quite so bad as that. There's no war on at present!'
In spite of our limited means we had lively and--as they appeared to my boyish imagination--even brilliant evening parties sometimes. After the death of my stepfather, who, thanks to his success as a portrait painter, in the later years of his life had raised his income to what for those days was a really decent total, many agreeable acquaintances of very good social position whom he had made during this flourishing period still remained on friendly terms with us, and would occasionally join us at our evening gatherings. Amongst those who came were the members of the Court Theatre, who at that time gave very charming and highly entertaining parties of their own, which, on my return to Dresden later on, I found had been altogether given up.
Very delightful, too, were the picnics arranged between us and our friends at some of the beautiful spots around Dresden, for these excursions were always brightened by a certain artistic spirit and general good cheer. I remember one such outing we arranged to Loschwitz, where we made a kind of gypsy camp, in which Carl Maria von Weber played his part in the character of cook. At home we also had some music. My sister Rosalie played the piano, and Clara was beginning to sing. Of the various theatrical performances we organised in those early days, often after elaborate preparation, with the view of amusing ourselves on the birthdays of our elders, I can hardly remember one, save a parody on the romantic play of Sappho, by Grillparzer, in which I took part as one of the singers in the crowd that preceded Phaon's triumphal car. I endeavoured to revive these memories by means of a fine puppet show, which I found among the effects of my late stepfather, and for which he himself had painted some beautiful scenery. It was my intention to surprise my people by means of a brilliant performance on this little stage. After I had very clumsily made several puppets, and had provided them with a scanty wardrobe made from cuttings of material purloined from my sisters, I started to compose a chivalric drama, in which I
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