My Contemporaries In Fiction | Page 5

David Christie Murray
and, in a measure, he has been neglected by the public. There is a reason for everything, if we could only find it, and sometimes I seem to have a glimmering of light on this perplexing problem. Sir Walter Besant (Mr. Besant then) wrote in the 'Gentleman's Magazine' years ago a daring panegyric on Reade's work, giving him frankly a place among the very greatest. My heart glowed as I read, but I know now that it took courage of the rarer sort to express a judgment so unreserved in favour of a writer who never for an hour occupied in the face of the public such a position as is held by three or four men in our day, whom this dead master could have rolled in the hollow of his hand.
Let me try for a minute or two to show why and how he is so very great a man; and then let me try to point out one or two of the reasons for which the true reward of greatness has been denied him.
The very first essential to greatness in any pursuit is that a man should be in earnest in respect to it. You may as well try to kindle your household fire with pump water as to excite laughter by the invention of a story which does not seem laughable to yourself, or to draw real tears by a story conceived whilst your own heart is dry, 'The wounded is the wounding heart.' In Charles Reade's case this essential sympathy amounted to a passion. He derided difficulties, but he derided them after the fashion of the thorough-going enthusiast, and not after that of the sluggard. He made up his mind to write fiction, and he practised for years before he printed a line. He assured himself of methods of selection and of forms of expression. Better equipped by nature than one in a hundred of those who follow the profession he had chosen he laboured with a fiery, unresting patience to complete his armoury, and to perfect himself in the handling of its every weapon. He read omnivorously, and, throughout his literary lifetime, he made it his business to collect and to collate, to classify and to catalogue, innumerable fragments of character, of history, of current news, of evanescent yet vital stuffs of all sorts. In the last year but one of his life he went with me over some of the stupendous volumes he had built in this way. The vast books remain as an illustration of his industry, but only one who has seen him in consultation with their pages can guess the accuracy and intimacy of his knowledge of their contents. They seem to deal with everything, and with whatever they enclosed he was familiar.
This encyclopaedic industry would have left a commonplace man commonplace, and in the estimate of a great man's genius it takes rank merely as a characteristic. His sympathy for his chosen craft was backed by a sympathy for humanity just as intense and impassioned. He was a glorious lover and hater of lovable and hateful things.
In one respect he was almost unique amongst men, for he united a savage detestation of wrong with a most minute accuracy in his judgment of its extent and quality. He laboured in the investigation of the problems of his own age with the cold diligence of an antiquary. He came to a conclusion with the calm of a great judge. And when his cause was sure he threw himself upon it with an extraordinary and sustained energy. The rage of his advocacy is in surprising contrast with the patience exerted in building up his case.
Reade had a poet's recognition for the greatness of his own time. He saw the epic nature of the events of his own hour, the epic character of the men who moulded those events. Hundreds of years hence, when federated Australia is thickly sown with great cities, and the island-continent has grown to its fulness of accomplished nationhood, and is grey in honour, Reade's nervous English, which may by that time have grown quaint, and only legible to learned eves, will preserve; the history of its beginnings. That part of His work, indeed, is purely and wholly epic in sentiment and discernment, however colloquial in form, and it is the sole example of its kind, since it was written by one who was contemporary with the events described.
Reade was pretty constantly at war with his critics, but he fairly justified himself of the reviewer in his own day, and at this time the people who assailed him have something like a right to sleep in peace. In private life one of the most amiable of men, and distinguished for courtesy and kindness, he was a swash-buckler in controversy.
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