Mrs. Budlongs Christmas Presents | Page 3

from the Gentile husbands during Billtide.
Mrs. Budlong's Christmas presents were of two sorts: those she made herself and those she made her husband pay for. He was the typical husband who never fails to settle his wife's bills, so long as he may raise a row about them till his wife cries and looks like an expensive luxury which only a really successful man could afford. Then he subsides until the first of the next month.

II
CHRONICLES OF A CRAFTSMAN
Mrs. Budlong's campaign was undertaken with the same farsightedness as a magazine editor's. On or about the Fourth of July she began to worry and plan. By the second week in August she had her tatting well under way. By the middle of September she was getting in her embroidered doilies. The earliest frost rarely surprised her with her quilts untufted. And when the first snow flew, her sachet bags were all stuffed and smelly.
She was very feminine in her sense of the value of her own time. At missionary meetings she would shed tears over the pathetic pictures of Oriental women who spent a year weaving a rug which would sell for a paltry hundred dollars and last a mere century or two. Then she would cheerfully devote fifteen days of incessant stitching at something she carried round in a sort of drumhead. At the end of that time she would have completed a more or less intolerable piece of colored fabric which she called a "drape" or a "throw." It could not be duplicated at a shop for less than $1.75, and it would wash perhaps three times.
Mr. Budlong once figured that if sweat-shop proprietors paid wages at the scale Mrs. Budlong established for herself, all the seamstresses and seamsters would curl up round their machines and die of starvation the first week. But he never told Mrs. Budlong this. Fancy stitching did not earn much, but it did not cost much; and it kept her mysteriously contented. She was stitching herself to her own home all the time.
The Christmas presents Mrs. Budlong made herself were not all a matter of needle and thread. Not at all! One year she turned her sewing room into a smithy. She gave Mr. and Mrs. Doctor Tisnower the loveliest hand-hammered brass coal scuttle that ever was seen--and with a purple ribbon tied to its tail. They kept flowers in it several summers, till one cruel winter a new servant put coal in it and completely scuttled it.
The same year she gave Mrs. ex-Mayor Cinnamon a hammered brass version of a C. D. Gibson drawing. The lady and gentleman looked as if they had broken out with a combination of yellow fever and smallpox, or suffered from enlarged pores or something. And the plum-colored plush frame didn't sit very well on the vermilion wall paper. But Mrs. Cinnamon hung it over the sofa in the expectation of changing the paper some day. It stayed there until the fateful evening when Mr. Nelson Chur called on Miss Editha Cinnamon and was just warming up a proposal that had held over almost as long as the wall paper, when bang! down came the overhanging brass drawing and bent itself hopelessly on Mr. Chur's skull. Mr. Chur said something that may have been Damocles. But he did not propose, and Mrs. Budlong was weeks wondering why Mrs. Cinnamon was so snippy to her.
The hammered brass era gave way to the opposite extreme of painted velvet. They say it is a difficult art; and it may well be. Mrs. Budlong's first landscape might as well have been painted on the side of her Scotch collie.
Her most finished roses had something of the look of shaggy tarantulas that had fallen into a paint pot and emerged in a towering rage. It was in that velvetolene stratum that she painted for the church a tasseled pulpit cloth that hung down a yard below the Bible. Dr. Torpadie was a very soothing preacher, but no one slept o'sermons during the reign of that pulpit cloth.
Mrs. Budlong was so elated over the success of it, however, that she announced her intention of going in for stained glass. She planned a series of the sweetest windows to replace those already in the church. But she never got nearer to that than painted china.
The painted china era was a dire era. The cups would break and the colors would run, and they never came out what she expected after they were fired. Of course she knew that the pigments must suffer alteration in the furnace, but there was always a surprise beyond surprise.
She soon became accustomed to getting green roses with crimson leaves, and deep blue apple blossoms against a pure white sky, but when she finished one complete set of table china in