Railway ones are trying to get into trouble by crossing. What a row! how the ruffians whip, and stamp, and storm, and all but pick each other's horses' teeth with their poles, how the cads gesticulate, and the passengers imprecate! now the bonnets are out of the windows, and the row increases. Six coachmen cutting and storming, six cads sawing the air, sixteen ladies in flowers screaming, six-and-twenty sturdy passengers swearing they will 'fine them all,' and Mr. Sponge is the only cool person in the scene. He doesn't rush into the throng and 'jump in,' for fear the 'bus should extricate itself and drive on without him; he doesn't make confusion worse confounded by intimating his behest; he doesn't soil his bright boots by stepping off the kerb-stone; but, quietly waiting the evaporation of the steam, and the disentanglement of the vehicles, by the smallest possible sign in the world, given at the opportune moment, and a steady adhesion to the flags, the 'bus is obliged either to 'come to,' or lose the fare, and he steps quietly in, and squeezes along to the far end, as though intent on going the whole hog of the journey.
Away they rumble up the Edgeware Road; the gradual emergence from the brick and mortar of London being marked as well by the telling out of passengers as by the increasing distances between the houses. First, it is all close huddle with both. Austere iron railings guard the subterranean kitchen areas, and austere looks indicate a desire on the part of the passengers to guard their own pockets; gradually little gardens usurp the places of the cramped areas, and, with their humanizing appearance, softer looks assume the place of frowning anti swell-mob ones.
Presently a glimpse of green country or of distant hills may be caught between the wider spaces of the houses, and frequent settings down increase the space between the passengers; gradually conservatories appear and conversation strikes up; then come the exclusiveness of villas, some detached and others running out at last into real pure green fields studded with trees and picturesque pot-houses, before one of which latter a sudden wheel round and a jerk announces the journey done. The last passenger (if there is one) is then unceremoniously turned loose upon the country.
Our readers will have the kindness to suppose our hero, Mr. Sponge, shot out of an omnibus at the sign of the Cat and Compasses, in the full rurality of grass country, sprinkled with fallows and turnip-fields. We should state that this unwonted journey was a desire to pay a visit to Mr. Benjamin Buckram, the horse-dealer's farm at Scampley, distant some mile and a half from where he was set down, a space that he now purposed travelling on foot.
Mr. Benjamin Buckram was a small horse-dealer--small, at least, when he was buying, though great when he was selling. It would do a youngster good to see Ben filling the two capacities. He dealt in second hand, that is to say, past mark of mouth horses; but on the present occasion, Mr. Sponge sought his services in the capacity of a letter rather than a seller of horses. Mr. Sponge wanted to job a couple of plausible-looking horses, with the option of buying them, provided he (Mr. Sponge) could sell them for more than he would have to give Mr. Buckram, exclusive of the hire. Mr. Buckram's job price, we should say, was as near twelve pounds a month, containing twenty-eight days, as he could screw, the hirer, of course, keeping the animals.
Scampley is one of those pretty little suburban farms, peculiar to the north and north-west side of London--farms varying from fifty to a hundred acres of well-manured, gravelly soil; each farm with its picturesque little buildings, consisting of small, honey-suckled, rose-entwined brick houses, with small, flat, pan-tiled roofs, and lattice-windows; and, hard by, a large hay-stack, three times the size of the house, or a desolate barn, half as big as all the rest of the buildings. From the smallness of the holdings, the farmhouses are dotted about as thickly, and at such varying distances from the roads, as to look like inferior 'villas,' falling out of rank; most of them have a half-smart, half-seedy sort of look.
The rustics who cultivate them, or rather look after them, are neither exactly town nor country. They have the clownish dress and boorish gait of the regular 'chaws,' with a good deal of the quick, suspicious, sour sauciness of the low London resident. If you can get an answer from them at all, it is generally delivered in such a way as to show that the answerer thinks you are what they call 'chaffing them,' asking them what you know.
These farms serve the double purpose of purveyors to the London
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.