Let us, however, hope that brighter days are about to dawn upon him.
Having now introduced our hero to our male and female friends, under his interesting pursuits of fox and fortune-hunter, it becomes us to say a few words as to his qualifications for carrying them on.
Mr. Sponge was a good-looking, rather vulgar-looking man. At a distance--say ten yards--his height, figure, and carriage gave him somewhat of a commanding appearance, but this was rather marred by a jerky, twitchy, uneasy sort of air, that too plainly showed he was not the natural, or what the lower orders call the real gentleman. Not that Sponge was shy. Far from it. He never hesitated about offering to a lady after a three days' acquaintance, or in asking a gentleman to take him a horse in over-night, with whom he might chance to come in contact in the hunting-field. And he did it all in such a cool, off-hand, matter-of-course sort of way, that people who would have stared with astonishment if anybody else had hinted at such a proposal, really seemed to come into the humour and spirit of the thing, and to look upon it rather as a matter of course than otherwise. Then his dexterity in getting into people's houses was only equalled by the difficulty of getting him out again, but this we must waive for the present in favour of his portraiture.
In height, Mr. Sponge was above the middle size--five feet eleven or so--with a well borne up, not badly shaped, closely cropped oval head, a tolerably good, but somewhat receding forehead, bright hazel eyes, Roman nose, with carefully tended whiskers, reaching the corners of a well-formed mouth, and thence descending in semicircles into a vast expanse of hair beneath the chin.
Having mentioned Mr. Sponge's groomy gait and horsey propensities, it were almost needless to say that his dress was in the sporting style--you saw what he was by his clothes. Every article seemed to be made to defy the utmost rigour of the elements. His hat (Lincoln and Bennett) was hard and heavy. It sounded upon an entrance-hall table like a drum. A little magical loop in the lining explained the cause of its weight. Somehow, his hats were never either old or new--not that he bought them second-hand, but when he got a new one he took its 'long-coat' off, as he called it, with a singeing lamp, and made it look as if it had undergone a few probationary showers.
When a good London hat recedes to a certain point, it gets no worse; it is not like a country-made thing that keeps going and going until it declines into a thing with no sort of resemblance to its original self. Barring its weight and hardness, the Sponge hat had no particular character apart from the Sponge head. It was not one of those punty ovals or Cheshire-cheese flats, or curly-sided things that enables one to say who is in a house and who is not, by a glance at the hats in the entrance, but it was just a quiet, round hat, without anything remarkable, either in the binding, the lining, or the band, but still it was a very becoming hat when Sponge had it on. There is a great deal of character in hats. We have seen hats that bring the owners to the recollection far more forcibly than the generality of portraits. But to our hero.
That there may be a dandified simplicity in dress, is exemplified every day by our friends the Quakers, who adorn their beautiful brown Saxony coats with little inside velvet collars and fancy silk buttons, and even the severe order of sporting costume adopted by our friend Mr. Sponge is not devoid of capability in the way of tasteful adaptation. This Mr. Sponge chiefly showed in promoting a resemblance between his neck-cloths and waistcoats. Thus, if he wore a cream-coloured cravat, he would have a buff-coloured waistcoat, if a striped waistcoat, then the starcher would be imbued with somewhat of the same colour and pattern. The ties of these varied with their texture. The silk ones terminated in a sort of coaching fold, and were secured by a golden fox-head pin, while the striped starchers, with the aid of a pin on each side, just made a neat, unpretending tie in the middle, a sort of miniature of the flagrant, flyaway, Mile-End ones of aspiring youth of the present day. His coats were of the single-breasted cut-away order, with pockets outside, and generally either Oxford mixture or some dark colour, that required you to place him in a favourable light to say what it was.
His waistcoats, of course, were of the most correct form and material, generally either pale buff, or buff with a narrow stripe, similar to
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