Mother Goose in Prose | Page 2

the Tuft,"
"Cinderella," and "Little Thumb"; eight stories in all. On the cover of
the book was depicted an old lady holding in her hand a distaff and
surrounded by a group of children listening eagerly. Mr. Andrew Lang
has edited a beautiful English edition of this work (Oxford, 1888).
America bases her claim to Mother Goose upon the following
statement, made by the late John Fleet Eliot, a descendant of Thomas
Fleet, the printer:
At the beginning of the eighteenth century there lived in Boston a lady
named Eliza Goose (written also Vergoose and Vertigoose) who
belonged to a wealthy family. Her eldest daughter, Elizabeth Goose (or
Vertigoose), was married by Rev. Cotton Mather in 1715 to an
enterprising and industrious printer named Thomas Fleet, and in due
time gave birth to a son. Like most mothers-in-law in our day, the
importance of Mrs. Goose increased with the appearance of her
grandchild, and poor Mr. Fleet, half distracted with her endless nursery
ditties, finding all other means fail, tried what ridicule could effect, and
actually printed a book under the title "Songs of the Nursery; or,
Mother Goose's Melodies for Children." On the title page was the
picture of a goose with a very long neck and a mouth wide open, and
below this, "Printed by T. Fleet, at his Printing House in Pudding Lane,
1719. Price, two coppers."
Mr. Wm. A. Wheeler, the editor of Hurd & Houghton's elaborate
edition of Mother Goose, (1870), reiterated this assertion, and a writer
in the Boston Transcript of June 17, 1864, says: "Fleet's book was
partly a reprint of an English collection of songs (Barclay's), and the

new title was doubtless a compliment by the printer to his
mother-in-law Goose for her contributions. She was the mother of
sixteen children and a typical 'Old Woman who lived in a Shoe.'"
We may take it to be true that Fleet's wife was of the Vergoose family,
and that the name was often contracted to Goose. But the rest of the
story is unsupported by any evidence whatever. In fact, all that Mr.
Eliot knew of it was the statement of the late Edward A. Crowninshield,
of Boston, that he had seen Fleet's edition in the library of the
American Antiquarian Society. Repeated researches at Worcester
having failed to bring to light this supposed copy, and no record of it
appearing on any catalogue there, we may dismiss the entire story with
the supposition that Mr. Eliot misunderstood the remarks made to him.
Indeed, as Mr. William H. Whitmore points out in his clever
monograph upon Mother Goose (Albany, 1889), it is very doubtful
whether in 1719 a Boston printer would have been allowed to publish
such "trivial" rhymes. "Boston children at that date," says Mr.
Whitmore, "were fed upon Gospel food, and it seems extremely
improbable that an edition could have been sold."
Singularly enough, England's claim to the venerable old lady is of
about the same date as Boston's. There lived in a town in Sussex, about
the year 1704, an old woman named Martha Gooch. She was a capital
nurse, and in great demand to care for newly-born babies; therefore,
through long years of service as nurse, she came to be called Mother
Gooch. This good woman had one peculiarity: she was accustomed to
croon queer rhymes and jingles over the cradles of her charges, and
these rhymes "seemed so senseless and silly to the people who
overheard them" that they began to call her "Mother Goose," in
derision, the term being derived from Queen Goosefoot, the mother of
Charlemagne. The old nurse paid no attention to her critics, but
continued to sing her rhymes as before; for, however much grown
people might laugh at her, the children seemed to enjoy them very
much, and not one of them was too peevish to be quieted and soothed
by her verses. At one time Mistress Gooch was nursing a child of Mr.
Ronald Barclay, a physician residing in the town, and he noticed the
rhymes she sang and became interested in them. In time he wrote them

all down and made a book of them, which it is said was printed by John
Worthington & Son in the Strand, London, in 1712, under the name of
"Ye Melodious Rhymes of Mother Goose." But even this story of
Martha Gooch is based upon very meager and unsatisfactory evidence.
The earliest English edition of Mother Goose's Melodies that is
absolutely authentic was issued by John Newbury of London about the
year 1760, and the first authentic American edition was a reprint of
Newbury's made by Isaiah Thomas of Worcester, Mass., in 1785.
None of the earlier editions, however, contained all the rhymes so well
known at the present day, since every decade has added its