Mohun

Mohun, or, The Last Days of Lee

Project Gutenberg's Mohun, or, The Last Days of Lee, by John Esten Cooke Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: Mohun, or, The Last Days of Lee
Author: John Esten Cooke
Release Date: July, 2005 [EBook #8424] [Yes, we are more than one year ahead of schedule] [This file was first posted on July 9, 2003]
Edition: 10
Language: English
Character set encoding: ISO-Latin-1
*** START OF THE PROJECT GUTENBERG EBOOK MOHUN, OR, THE LAST DAYS OF LEE ***

Produced by Eric Eldred, Marvin A. Hodges and the Online Distributed Proofreading Team

MOHUN
OR,
THE LAST DAYS OF LEE AND HIS PALADINS.

FINAL MEMOIRS
OF A
STAFF OFFICER SERVING IN VIRGINIA.
FROM THE MSS. OF
COLONEL SURRY, OF EAGLE'S NEST.

BY
JOHN ESTEN COOKE
AUTHOR OF "SURRY OF EAGLE'S NEST."

_Nec aspera terrent._

PROLOGUE.
On the wall over the mantel-piece, here in my quiet study at Eagle's-Nest, are two crossed swords. One is a battered old sabre worn at Gettysburg, and Appomattox; the other, a Federal officer's dress sword captured in 1863.
It was a mere fancy to place them there, as it was a whim to hang upon that nail yonder, the uniform coat with its stars and braid, which Stuart wore on his famous ride around McClellan in 1862. Under the swords hang portraits of Lee, Jackson, and Stuart. Jackson wears his old coat, and his brow is raised as though he were looking out from beneath his yellow old cadet cap. Stuart is seated, grasping his sabre, with his plumed hat resting on his knee. His huge beard flows on his breast, his eyes are clear and penetrating, and beneath the picture I have placed a slip cut from one of his letters to me, and containing the words, "Yours to count on, J.E.B. Stuart." Lastly, the gray commander-in-chief looks with a grave smile over his shoulder, the eyes fixed upon that excellent engraving of the "Good Old Rebel," a private of the Army of Northern Virginia, seated on a log, after the war, and reflecting with knit brows on the past and the present.
From this sketch of my surroundings, worthy reader, you will perceive, that I amuse myself by recalling the old times when the Grays and Blues were opposed to each other. Those two swords crossed--those pictures of Lee, Jackson, Stuart, and the "Old Rebel"--you are certain to think that the possessor of them is unreconstructed (terrible word!) and still a rebel!
But is it wrong to remember the past? I think of it without bitterness. God decreed it--God the all-wise, the all-merciful--for his own purpose. I do not indulge any repinings, or reflect with rancor upon the issue of the struggle. I prefer recalling the stirring adventure, the brave voices, the gallant faces: even in that tremendous drama of 1864-5, I can find something besides blood and tears: even here and there some sunshine!
In this last series of my memoirs I shall deal chiefly with that immense campaign. In the first series which, I trust the reader of these pages will have perused, I followed Jackson through his hard battles to the fatal field of Chancellorsville. In this volume I shall beg the reader first to go with Stuart from the great review of his cavalry, in June, 1863, to the dark morning of May 11, 1864, at Yellow Tavern. Then the last days will follow.
I open the drama with that fine cavalry review in June, 1863, on the Plains of Culpeper.
It is a pleasure to return to it--for Gettysburg blackened the sunshine soon. The column thundered by; the gay bugles rang; the great banner floated. Where is that pageant to-day? Where the old moons of Villon? Alas! the strong hours work their will. June, 1863, is long dead. The cavalry horses, if they came back from the wars, are ploughing. The rusty sabres stick fast in the battered old scabbards. The old saddles are shabby--and our friends take them away from us. The old buttons are tarnished, and an order forbids our wearing them. The brass bands clash no more; and the bugles are silent. Where are the drums