I'm afraid."
A blue-aproned girl who had been packing her materials in an adjoining locker turned civilly.
"Are you speaking about the lunch room?" she asked in a pleasant contralto voice. "I can show you where it is, but you'll have to bring your lunch with you. There are gas stoves to cook on in the back room, and tables and chairs in the front one, if you're not too late to get a place."
Elinor thanked her cordially, while Patricia almost dislocated her neck trying to get a glimpse of the big canvas that protruded from the locker while still keeping far enough behind Elinor for her curiosity to pass unnoticed.
"It is down a little iron stairway behind that screen," said the girl, tucking a paper parcel into the capacious pocket of her blue jean paint dress, "and it's only for girls. The men have one on the other side of the building. Come down as soon as you can, for it's fearfully crowded later on."
Patricia watched her disappear behind the big screen of the composition room, and then she turned excitedly to Elinor.
"Isn't she nice?" she asked admiringly. "She's so cock-sure of herself and so calm about it. I like the way her eyebrows meet over her haughty nose, and that superior kink in her nice, crinkly lips. I know she's going to be worth while when we know her."
"For goodness' sake, don't be jumping into admirations wholesale, Miss Pat, darling," said Elinor, gently pulling Patricia's arm through hers as they passed into the narrow entrance to the dressing room. "Don't rush at it so, ducky. You can't know the right people at once, and it saves a lot of bother not to get too familiar with the wrong ones."
"Just as you say, Miss Solomon," rippled Patricia, too happy to be depressed by anything. "I'll be as frigid as you like, and if any of these frivolous young things try to scrape an acquaintance with me, I'll snub them good and hard."
She lowered her voice as two newcomers entered--one a slender, faded young woman with near-sighted pale eyes, and the other a blond girl with a dazzling skin and glorious shimmering hair wound around a shapely head. Both were in aprons, but the younger wore a dull green that set off her fair beauty to perfection, while the checked gingham of the other proclaimed a hopelessly downright taste.
Patricia, at the mirror, paused in the act of pinning on her hat, her eyes riveted on the vision in dull green.
"Isn't she lovely?" she demanded in a thrilling whisper of Elinor, who had slipped into her things and was already at the door.
The girl unmistakably caught the words, for she turned a brilliant, measuring, half-approving look on her while she slowly began to divest herself of the alluring green apron. She was so evidently used to admiration that her smooth cheek showed no change of color, though the panic red of swift confusion flamed on Patricia's bright face.
Pinning on her hat hastily, she fled after Elinor, feeling that she must seem most inexperienced and childish in the eyes of this fascinating creature who at once had eclipsed all previous claimants to her admiration.
"I wonder if she is in the modeling class?" she said as she caught up with Elinor in the composition room. "I don't suppose there's any such luck as that. She looks too clean----"
Elinor interrupted her with a little shake. "You hopeless little goose," she said, in laughing despair. "You've just promised me not to, and here you are it, hammer and tongs, under my very eyes."
"My word!" cried Patricia indignantly. "You don't mean I'm not to look at anyone! I can't even express a little tame approval without your accusing me of grabbing a new soul mate. You can't say she isn't simply ravishing, and just because she's alive instead of being a picture or statue or some such made-up thing, you want me to turn up my nose at her. I must say you are getting to be awfully extreme, Elinor Kendall. You'll want me to wear a muzzle next."
Elinor gave her a loving look, and Patricia, appropriating a corner of her big muff, gave her hand a surreptitious squeeze.
"I wish I could kiss you, you old angel," she said, irrelevantly. "Let's lay in our pemmican, and hustle back for a seat in the parquet circle. I'm dying to look them over and see who's who and what's what before I make any more breaks."
CHAPTER II
GETTING ACQUAINTED
"Why, it's like a laundry," exclaimed Patricia in disappointment as she looked about her. The low-ceiled whitewashed apartment into which they had descended from the winding iron stair was sepulchrally bare and empty in the flicker of its noisy gas jets, the rusty gas stoves at its farther end emphasizing its general air
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