Milly Darrell and Other Tales | Page 5

you for that purpose. After dinner you will take the same class for two hours' reading until four; from four to five you will superintend the needle-work class. Your evenings--with the exception of the careful correction of all the day's exercises--will be your own. I hope you have a sincere love of your vocation, Miss Crofton.'
I said I hoped I should grow to like my work as I became accustomed to it. I had never yet tried teaching, except with my young sister and brothers. My hear sank as I remembered our free-and-easy studies in the sunny parlour at home, or out in the garden under the pink and white hawthorns sometimes on balmy mornings in the early summer.
Miss Susan shook her head doubtfully.
'Unless you have a love of your vocation you will never succeed, Miss Crofton,' she said solemnly.
I freely confess that this love she spoke of never came to me. I tried to do my duty, and I endured all the hardships of my life in, I hope, a cheerful spirit. But the dry monotony of the studies had no element of pleasantness, and I used to wonder how Miss Susan could derive pleasure--as it was evident she did--from the exercise of her authority over those hapless scholars who had the misfortune to belong to her class. Day after day they heard the same lectures, listened submissively to the same reproofs, and toiled on upon that bleak bare high-road to learning, along which it was her delight to drive them. Nothing like a flower brightened their weary way--it was all alike dust and barrenness; but they ploughed on dutifully, cramming their youthful minds with the hardest dates and facts to be found in the history of mankind, the dreariest statistics, the driest details of geography, and the most recondite rules of grammar, until the happy hour arrived in which they took their final departure from Albury Lodge, to forget all they had learnt there in the briefest possible time.
How my thoughts used to wander away sometimes as I sat at my desk, distracted by the unmelodious sound of Miss Susan's voice lecturing some victim in her own division at the next table, while one of the girls in mine droned drearily at Lingard, or Pinnock's Goldsmith, as the case might be! How the vision of my own bright home haunted me during those long monotonous afternoons, while the March winds made the poplars rock in the garden outside the schoolroom, or the April rain beat against the great bare windows!
CHAPTER II.
MILLY'S VISITOR.
It was not often that I had a half-holiday to myself, for Miss Susan Bagshot seemed to take a delight in finding me something to do on these occasions; but whenever I had, I spent it with Milly Darrell, and on these rare afternoons I was perfectly happy. I had grown to love her as I did not think it was in me to love any one who was not of my own flesh and blood; and in so loving her, I only returned the affection which she felt for me.
I am sure it was the fact of my friendlessness, and of my subordinate position in the school, which had drawn this girl's generous heart towards me; and I should have been hard indeed if I had not felt touched by her regard. She soon grew indescribably dear to me. She was of my own age, able to sympathize with every thought and fancy of mine; the frankest, most open-hearted of creatures; a little proud of her beauty, perhaps, when it was praised by those she loved, but never proud of her wealth, or insolent to those whose gifts were less than hers.
I used to write my home-letters in her room on these rare and happy afternoons, while she painted at an easel near the window. The room was small, but better furnished than the ordinary rooms in the house, and it was brightened by all sorts of pretty things,-- handsomely-bound books upon hanging shelves, pictures, Dresden cups and saucers, toilet-bottles and boxes, which Miss Darrell had brought from home. Over the mantelpiece there was a large photograph of her father, and by the bedside there hung a more flattering water-coloured portrait, painted by Milly herself. It was a powerful and rather a handsome face, but I thought the expression a little hard and cold, even in Milly's portrait.
She painted well, and had a real love of art. Her studies at Albury Lodge were of rather a desultory kind, as she was not supposed to belong to any class; but she had lessons from nearly half-a-dozen different masters--German lessons, Italian lessons, drawing lessons, music and singing lessons--and was altogether a very profitable pupil. She had her own way with every one, I found, and I believe Miss