Memoirs of Margaret Fuller Ossoli, Vol. I | Page 4

mistaken," and "it may be so," were words and phrases excluded from the province where he held sway. Trained to great dexterity in artificial methods, accurate, ready, with entire command of his resources, he had no belief in minds that listen, wait, and receive. He had no conception of the subtle and indirect motions of imagination and feeling. His influence on me was great, and opposed to the natural unfolding of my character, which was fervent, of strong grasp, and disposed to infatuation, and self-forgetfulness. He made the common prose world so present to me, that my natural bias was controlled. I did not go mad, as many would do, at being continually roused from my dreams. I had too much strength to be crushed,--and since I must put on the fetters, could not submit to let them impede my motions. My own world sank deep within, away from the surface of my life; in what I did and said I learned to have reference to other minds. But my true life was only the dearer that it was secluded and veiled over by a thick curtain of available intellect, and that coarse, but wearable stuff woven by the ages,--Common Sense.
'In accordance with this discipline in heroic common sense, was the influence of those great Romans, whose thoughts and lives were my daily food during those plastic years. The genius of Rome displayed itself in Character, and scarcely needed an occasional wave of the torch of thought to show its lineaments, so marble strong they gleamed in every light. Who, that has lived with those men, but admires the plain force of fact, of thought passed into action? They take up things with their naked hands. There is just the man, and the block he casts before you,--no divinity, no demon, no unfulfilled aim, but just the man and Rome, and what he did for Rome. Everything turns your attention to what a man can become, not by yielding himself freely to impressions, not by letting nature play freely through him, but by a single thought, an earnest purpose, an indomitable will, by hardihood, self-command, and force of expression. Architecture was the art in which Rome excelled, and this corresponds with the feeling these men of Rome excite. They did not grow,--they built themselves up, or were built up by the fate of Rome, as a temple for Jupiter Stator. The ruined Roman sits among the ruins; he flies to no green garden; he does not look to heaven; if his intent is defeated, if he is less than he meant to be, he lives no more. The names which end in "_us_," seem to speak with lyric cadence. That measured cadence,--that tramp and march,--which are not stilted, because they indicate real force, yet which seem so when compared with any other language,--make Latin a study in itself of mighty influence. The language alone, without the literature, would give one the thought of Rome. Man present in nature, commanding nature too sternly to be inspired by it, standing like the rock amid the sea, or moving like the fire over the land, either impassive, or irresistible; knowing not the soft mediums or fine flights of life, but by the force which he expresses, piercing to the centre.
'We are never better understood than when we speak of a "Roman virtue," a "Roman outline." There is somewhat indefinite, somewhat yet unfulfilled in the thought of Greece, of Spain, of modern Italy; but ROME! it stands by itself, a clear Word. The power of will, the dignity of a fixed purpose is what it utters. Every Roman was an emperor. It is well that the infallible church should have been founded on this rock, that the presumptuous Peter should hold the keys, as the conquering Jove did before his thunderbolts, to be seen of all the world. The Apollo tends flocks with Admetus; Christ teaches by the lonely lake, or plucks wheat as he wanders through the fields some Sabbath morning. They never come to this stronghold; they could not have breathed freely where all became stone as soon as spoken, where divine youth found no horizon for its all-promising glance, but every thought put on, before it dared issue to the day in action, its toga virilis.
'Suckled by this wolf, man gains a different complexion from that which is fed by the Greek honey. He takes a noble bronze in camps and battle-fields; the wrinkles of council well beseem his brow, and the eye cuts its way like the sword. The Eagle should never have been used as a symbol by any other nation: it belonged to Rome.
'The history of Rome abides in mind, of course, more than the literature. It was degeneracy for a Roman to use the pen; his life