Memoirs of Count Grammont | Page 4

Anthony Hamilton
are much relished in England, probably because very ill translated. Another of his literary productions was the novel called Le Belier, which he wrote on the following occasion: Louis XIV. had presented to the Countess of Grammont (whom he highly esteemed) a remarkably elegant small country house in the park of Versailles: this house became so fashionable a resort, and brought such constant visitors, that the Count de Grammont said, in his usual way, he would present the king with a list of all the persons he was obliged to entertain there, as more suited to his Majesty's purse than his own: the countess wished to change the name of the place from the vulgar appellation of Le Moulineau into that of Pentalie: and Hamilton, in his novel, wrote a history of a giant, an enchantment, and a princess, to commemorate her resolution. It has however happened that the giant Moulineau has had the advantage in the course of time; for the estate, which is situated near Meudon, upon the Seine, retains its original and popular designation.
About the year 1704, Hamilton turned his attention to collecting the memoirs of his brother-in-law, the Count de Grammont, as we may conjecture, from the epistle beginning "Honneur des rives eloignees" being written towards the close of the above year: it is dated, or supposed to be so, from the banks of the Garonne. Among other authors whom Hamilton at first proposes to Grammont, as capable of writing his life (though, on reflection, he thinks them not suited to it), is Boileau, whose genius he professes to admire; but adds that his muse has somewhat of malignity; and that such a muse might caress with one hand and satirize him with the other. This letter was sent by Hamilton to Boileau, who answered him with great politeness; but, at the same time that he highly extolled the epistle to Grammont, he, very naturally, seemed anxious to efface any impression which such a representation of his satiric vein might make on the Count's mind, and accordingly added a few complimentary verses to him: this letter is dated, Paris, 8th February, 1705. About the same time, another letter was written to Hamilton on the subject of the Epistle to Grammont, by La Chapelle, who also seemed desirous that his life should be given to the public, but was much perplexed which of the most celebrated ancients to compare the count to. Mecaenas first presented himself to his imagination: absurdly enough, in my opinion; for there was not a trace of similitude between the two characters. This, however, afforded him some opportunity, as he thought, of discovering a resemblance between Horace and Hamilton, in which he equally failed. Petronius is then brought forward, as affording some comparison to the Count;--a man of pleasure, giving up the day to sleep, and the night to entertainment; but then, adds La Chapelle, it will be suggested that, such is the perpetual activity of the Count of Grammont's mind, he may be said to sleep neither night nor day; and if Petronius died, the Count seems determined never to die at all. (He was at this time about eighty-five years of age.) It may well be supposed that all this, though now perfectly vapid and uninteresting, was extremely flattering to Grammont; and the result was, that he very much wished to have his life, or part of it, at least, given to the public. Hamilton, who had been so long connected with him, and with whose agreeable talents he was now so familiarized, was, on every account, singled out by him as the person who could best introduce him historically to the public. It is ridiculous to mention Grammont as the author of his own Memoirs: his excellence, as a man of wit, was entirely limited to conversation. Bussy Rabutin, who knew him perfectly, states that he wrote almost worse than any one. If this was said, and very truly, of him in his early days, it can hardly be imagined that he would, when between eighty and ninety years of age, commence a regular, and, in point of style, most finished composition. Besides, independent of everything else, what man would so outrage all decorum as to call himself the admiration of the age? for so is Grammont extolled in the Memoirs, with a variety of other encomiastic expressions; although, perhaps, such vanity has not been without example. Hamilton, it is true, says that he acts as Grammont's secretary, and only holds the pen, whilst the Count dictates to him such particulars of his life as were the most singular, and least known. This is said with great modesty, and, as to part of the work, perhaps with great truth: it requires, however, some explanation. Grammont was more than twenty years
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