Memoir of Fleeming Jenkin | Page 9

the father, and the two remaining Miss Campbells, people of fierce passions and a truly Highland pride, the derogation was bitterly resented. For long the sisters lived estranged then, Mrs. Jackson and Mrs. Adcock were reconciled for a moment, only to quarrel the more fiercely; the name of Mrs. Adcock was proscribed, nor did it again pass her sister's lips, until the morning when she announced: 'Mary Adcock is dead; I saw her in her shroud last night.' Second sight was hereditary in the house; and sure enough, as I have it reported, on that very night Mrs. Adcock had passed away. Thus, of the four daughters, two had, according to the idiotic notions of their friends, disgraced themselves in marriage; the others supported the honour of the family with a better grace, and married West Indian magnates of whom, I believe, the world has never heard and would not care to hear: So strange a thing is this hereditary pride. Of Mr. Jackson, beyond the fact that he was Fleeming's grandfather, I know naught. His wife, as I have said, was a woman of fierce passions; she would tie her house slaves to the bed and lash them with her own hand; and her conduct to her wild and down-going sons, was a mixture of almost insane self-sacrifice and wholly insane violence of temper. She had three sons and one daughter. Two of the sons went utterly to ruin, and reduced their mother to poverty. The third went to India, a slim, delicate lad, and passed so wholly from the knowledge of his relatives that he was thought to be long dead. Years later, when his sister was living in Genoa, a red- bearded man of great strength and stature, tanned by years in India, and his hands covered with barbaric gems, entered the room unannounced, as she was playing the piano, lifted her from her seat, and kissed her. It was her brother, suddenly returned out of a past that was never very clearly understood, with the rank of general, many strange gems, many cloudy stories of adventure, and next his heart, the daguerreotype of an Indian prince with whom he had mixed blood.
The last of this wild family, the daughter, Henrietta Camilla, became the wife of the midshipman Charles, and the mother of the subject of this notice, Fleeming Jenkin. She was a woman of parts and courage. Not beautiful, she had a far higher gift, the art of seeming so; played the part of a belle in society, while far lovelier women were left unattended; and up to old age had much of both the exigency and the charm that mark that character. She drew naturally, for she had no training, with unusual skill; and it was from her, and not from the two naval artists, that Fleeming inherited his eye and hand. She played on the harp and sang with something beyond the talent of an amateur. At the age of seventeen, she heard Pasta in Paris; flew up in a fire of youthful enthusiasm; and the next morning, all alone and without introduction, found her way into the presence of the PRIMA DONNA and begged for lessons. Pasta made her sing, kissed her when she had done, and though she refused to be her mistress, placed her in the hands of a friend. Nor was this all, for when Pasta returned to Paris, she sent for the girl (once at least) to test her progress. But Mrs. Jenkin's talents were not so remarkable as her fortitude and strength of will; and it was in an art for which she had no natural taste (the art of literature) that she appeared before the public. Her novels, though they attained and merited a certain popularity both in France and England, are a measure only of her courage. They were a task, not a beloved task; they were written for money in days of poverty, and they served their end. In the least thing as well as in the greatest, in every province of life as well as in her novels, she displayed the same capacity of taking infinite pains, which descended to her son. When she was about forty (as near as her age was known) she lost her voice; set herself at once to learn the piano, working eight hours a day; and attained to such proficiency that her collaboration in chamber music was courted by professionals. And more than twenty years later, the old lady might have been seen dauntlessly beginning the study of Hebrew. This is the more ethereal part of courage; nor was she wanting in the more material. Once when a neighbouring groom, a married man, had seduced her maid, Mrs. Jenkin mounted her horse, rode over to the stable entrance