Masques Phases | Page 9

image comes into the gloom With her pale features moulded fair, Her breathing beauty, morning bloom, My heart's delight, my tongue's despair.' BINYON.
'An Oxford scholar of family and fortune; but quaint and opinionated, despising every one who has not had the benefit of an University education.' RICHARDSON.
[Greek text]. HERODOTUS.
I once had the good fortune to take down to dinner a young American lady of some personal attractions. Her vivacity and shrewdness were racial; her charm peculiar to herself. Her conversation consisted in a rather fierce denunciation of Englishmen, young Oxford Englishmen in particular. Their thoughts, their dress, their speech, their airs of superiority offended one brought up with that Batavian type of humanity, the American youth, to whom we have nothing exactly corresponding in this country except among drawing-room conjurors. But I was startled at her keen observation when I inquired with a smile how she knew I was not an Oxford man myself.
'Had you been one, you would never have listened to what I have been saying,' she retorted. Rather nettled, I challenged her to pick out from the other guests those on whom she detected the brand of Isis. A pair of gloves was the prize for each successful guess. She won seven; in fact all the stakes during the course of the evening. Over one only she hesitated, and when he mentioned that he had neither the curiosity nor the energy to cross the Atlantic, she knew he came from Oxford.
Yes, there is something in that manner after all. It irritates others besides Americans. Novelists try to describe it. We all know the hero who talks English with a Balliol accent--that great creature who is sometimes bow and sometimes cox of his boat on alternate evenings; who puts the weight at the University Sports and conducts the lady home from a College wine without a stain on her character; is rusticated for a year or so; returns to win the Newdigate and leaves without taking a degree. Or that other delightful abstraction--he has a Balliol accent too--with literary tastes and artistic rooms, where gambling takes place. He is invariably a coward, but dreadfully fascinating all the same; though he scorns women he has an hypnotic influence over them; something in his polished Oxford manner is irresistible. Throughout a career of crime his wonderful execution on the piano, his knowledge of Italian painting, and his Oxford manner never seem to desert him. We feel, not for the first time, how dangerous it must be to allow our simple perky unspoiled Colonials to associate with such deleterious exotic beings, who, though in fiction horsewhipped or (if heroes) shot in the last chapter, in real life are so apt to become prosperous city men or respected college officials.
The Oxford manner is, alas, indefinable; I was going to say indefensible. Perhaps it is an attitude--a mental attitude that finds physical expression in the voice, the gesture, the behaviour. Oxford, not conduct, is three-fourths of life to those who acquire the distemper. Without becoming personal it is not easy to discuss purely social aspects, and we must seek chiefly in literature for manifestations of the phenomenon: in the prose of Matthew Arnold for instance--in the poems of Mr. Laurence Binyon, typical examples where every thought seems a mental reservation. Enemies rail at the voice, and the voice counts for something. Any one having the privilege of hearing Mr. Andrew Lang speak in public will know at once what I mean--a pleasure, let me hasten to say, only equalled by the enjoyment of his inimitable writing, so pre- eminently Oxonian when the subject is not St. Andrews, Folk Lore, or cricket. Though Oxford men have their Cambridge moments, and beneath their haughty exterior there sometimes beats a Cambridge heart. Behind such reserve you would never suspect any passions at all save one of pride. Even frankly irreligious Oxford men acquire an ecclesiastical pre- Reformation aloofness which must have piqued Thackeray quite as much as the refusal of the city to send him to Westminster. He complains somewhere that the undergraduates wear kid gloves and drink less wine than their jolly brethren of the Cam. He was thoroughly Cambridge in his attitude towards life, as you may see when he writes of his favourite eighteenth century in his own fascinating style. How angry he becomes with the vices and corruption of a dead past! Now no Oxford essayist would dream of being angry with the past. How annoyed the sentimental author of The Four Georges would be with Mr. Street's genial treatment of the same epoch! It would, however, be the annoyance of a father for his eldest son, whom he sent to Oxford perhaps to show that an old slight was forgiven and forgotten.
There have been, of course, plenty of men unravaged by