Mary Louise | Page 5

Edith Van Dyne
father, the Colonel. She had lost much of her former beauty and had become a thin, pale woman with anxious eyes and an expectant and deprecating air, as if always prepared to ward off a sudden blow. Her solicitude for the old Colonel was almost pathetic and while he was in her presence she constantly hovered around him, doing little things for his comfort which he invariably acknowledged with his courtly bow and a gracious word of thanks.
It was through her association with this cultured old gentleman that Mary Louise had imbibed a certain degree of logic and philosophy unknown to many girls of fifteen. He taught her consideration for others as the keynote of happiness, yet he himself declined to mingle with his fellow men. He abhorred sulking and was always cheerful and pleasant in his home circle, yet when others approached him familiarly he resented it with a frown. He taught his granddaughter to be generous to the poor and supplied her freely with money for charity, yet he personally refused all demands upon him by churches or charitable societies.
In their long talks together he displayed an intimate acquaintance with men and affairs, but never referred in any way to his former life.
"Are you really a colonel?" Mary Louise once asked him.
"Men call me so," he replied, but there was a tone in his voice that warned the girl not to pursue the subject further. She knew his moods almost as well as her mother did.
The Colonel was very particular as to dress. He obtained his own clothing from a New York tailor and took a keen interest in the gowns of his daughter and of Mary Louise, his taste in female apparel being so remarkable that they were justly considered the best dressed women in Beverly. The house they were living in contained an excellent library and was furnished in a quaint, old-fashioned manner that was very appealing to them all. Mary Louise sincerely hoped there would be no more changes in their lives and that they might continue to live in Beverly for many years to come.
CHAPTER III
A SURPRISE
On the afternoon when our story begins Mary Louise walked home from school and found Colonel Weatherby waiting for her in the garden, leggings strapped to his gaunt legs, the checked walking-cap on his head, a gold-headed crop in his hand.
"Let us go for a walk, my dear," he proposed. "It is Friday, so you will have all day to-morrow in which to get your lessons."
"Oh, it won't take all day for that," she replied with a laugh. "I'll be glad of the walk. "Where shall we go, Gran'pa Jim?"
"Perhaps to the mill-race. We haven't visited it for a long time."
She ran to the house to put away her books and get her stout shoes, and presently rejoined him, when together they strolled up the street and circled round the little town until they came to the river bank. Then they followed the stream toward the old mill.
Mary Louise told her grandfather of the recent edict of Miss Stearne and the indignation it had aroused in her girl boarders.
"And what do you think of it, Gran'pa Jim?" she asked in conclusion.
"What do YOU think of it, Mary Louise?"
"It is rather hard on the girls, who have enjoyed their liberty for so long; but I think it is Miss Stearne's plan to keep them away from the picture theatre."
"And so?"
"And so," she said, "it may do the girls more good than harm."
He smiled approvingly. It was his custom to draw out her ideas on all questions, rather than to assert his own in advance. If he found her wrong or misinformed he would then correct her and set her right.
"So you do not approve of the pictures, Mary Louise?"
"Not all of them, Gran'pa Jim, although they all seem to have been 'passed by the Board of Censors'--perhaps when their eyes were shut. I love the good pictures, and I know that you do, but some we have seen lately gave me the shivers. So, perhaps Miss Stearne is right."
"I am confident she is," he agreed. "Some makers of pictures may consider it beneficial to emphasize good by exhibiting evil, by way of contrast, but they are doubtless wrong. I've an old-fashioned notion that young girls should be shielded, as much as possible, from knowledge of the world's sins and worries, which is sure to be impressed upon them in later years. We cannot ignore evil, unfortunately, but we can often avoid it."
"But why, if these pictures are really harmful, does Mr. Welland exhibit them at his theatre?" asked the girl.
"Mr. Welland is running his theatre to make money," explained the Colonel," and the surest way to make money is to cater to the tastes of his patrons, the majority
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