Martin Luther King Jr. Day Anthology | Page 6

't was somebody that loved me; an' I tried to know him. An' I said, 'I know you! I know you! I know you!'--an' then I said, 'I don't know you! I don't know you! I don't know you!' An' when I said, 'I know you, I know you,' the light came; an' when I said, 'I don't know you, I don't know you,' it went, jes' like the sun in a pail o' water. An' finally somethin' spoke out in me an' said, 'THIS IS JESUS!' An' I spoke out with all my might, an' says I, 'THIS IS JESUS! Glory be to God!' An' then the whole world grew bright, an' the trees they waved an' waved in glory, an' every little bit o' stone on the ground shone like glass; an' I shouted an' said, 'Praise, praise, praise to the Lord!' An' I begun to feel such a love in my soul as I never felt before,--love to all creatures. An' then, all of a sudden, it stopped, an' I said, 'Dar's de white folks, that have abused you an' beat you an' abused your people,--think o' them!' But then there came another rush of love through my soul, an' I cried out loud,--'Lord, Lord, I can love EVEN DE WHITE FOLKS!' "Honey, I jes' walked round an' round in a dream. Jesus loved me! I knowed it,--I felt it. Jesus was my Jesus. Jesus would love me always. I didn't dare tell nobody; 't was a great secret. Everything had been got away from me that I ever had; an' I thought that ef I let white folks know about this, maybe they'd get HIM away,--so I said, 'I'll keep this close. I won't let any one know.'" "But, Sojourner, had you never been told about Jesus Christ?" "No, honey. I hadn't heerd no preachin',--been to no meetin'. Nobody hadn't told me. I'd kind o' heerd of Jesus, but thought he was like Gineral Lafayette, or some o' them. But one night there was a Methodist meetin' somewhere in our parts, an' I went; an' they got up an' begun for to tell der 'speriences; an' de fust one begun to speak. I started, 'cause he told about Jesus. 'Why,' says I to myself, 'dat man's found him, too!' An' another got up an' spoke, an I said, 'He's found him, too!' An' finally I said, 'Why, they all know him!' I was so happy! An' then they sung this hymn": (Here Sojourner sang, in a strange, cracked voice, but evidently with all her soul and might, mispronouncing the English, but seeming to derive as much elevation and comfort from bad English as from good):-- 'There is a holy city, A world of light above, Above the stairs and regions,* Built by the God of Love. "An Everlasting temple, And saints arrayed in white There serve their great Redeemer And dwell with him in light. "The meanest child of glory Outshines the radiant sun; But who can speak the splendor Of Jesus on his throne? "Is this the man of sorrows Who stood at Pilate's bar, Condemned by haughty Herod And by his men of war? "He seems a mighty conqueror, Who spoiled the powers below, And ransomed many captives From everlasting woe. "The hosts of saints around him Proclaim his work of grace, The patriarchs and prophets, And all the godly race, "Who speak of fiery trials And tortures on their way; They came from tribulation To everlasting day. "And what shall be my journey, How long I'll stay below, Or what shall be my trials, Are not for me to know. "In every day of trouble I'll raise my thoughts on high, I'll think of that bright temple And crowns above the sky."
* Starry regions.
I put in this whole hymn, because Sojourner, carried away with her own feeling, sang it from beginning to end with a triumphant energy that held the whole circle around her intently listening. She sang with the strong barbaric accent of the native African, and with those indescribable upward turns and those deep gutturals which give such a wild, peculiar power to the negro singing,--but above all, with such an overwhelming energy of personal appropriation that the hymn seemed to be fused in the furnace of her feelings and come out recrystallized as a production of her own. It is said that Rachel was wont to chant the "Marseillaise" in a manner that made her seem, for the time, the very spirit and impersonation of the gaunt, wild, hungry, avenging mob which rose against aristocratic oppression; and in like manner, Sojourner, singing this hymn, seemed to impersonate the fervor of Ethiopia, wild, savage, hunted of all nations, but burning after God in her tropic heart, and stretching her scarred hands