Married, by August Strindberg
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Title: Married
Author: August Strindberg
Release Date: April, 2005 [EBook #7956] [Yes, we are more than one
year ahead of schedule] [This file was first posted on June 5, 2003]
Edition: 10
Language: English
Character set encoding: iso-8859-1
*** START OF THE PROJECT GUTENBERG EBOOK MARRIED
***
Produced by David Starner, Marc D'Hooghe, Charles Franks and the
Online Distributed Proofreading Team.
MARRIED
by
AUGUST STRINDBERG
CONTENTS
ASRA
LOVE AND BREAD
COMPELLED TO
COMPENSATION
FRICTIONS
UNNATURAL SELECTION
AN ATTEMPT AT REFORM
A NATURAL OBSTACLE
A DOLL'S HOUSE
PHOENIX
ROMEO AND JULIA
PROLIFICACY
AUTUMN
COMPULSORY MARRIAGE
CORINNA
UNMARRIED AND MARRIED
A DUEL
HIS SERVANT
THE BREADWINNER
BIBLIOGRAPHY
Strindberg's works in English translation: Plays translated by Edwin
Bjorkman; Master Olof, American Scandinavian Foundation, 1915;
The Dream Play, The Link, The Dance of Death, New York, Charles
Scribner's Sons, 1912; Swanwhite, Simoon, Debit and Credit, Advent,
The Thunderstorm, After the Fire, the same, 1913; There Are Crimes
and Crimes, Miss Julia, The Stronger, Creditors, Pariah, the same,
1913; Bridal Crown, The Spook Sonata, The First Warning, Gustavus
Vasa, the same, 1916. Plays translated by Edith and Warner Oland,
Boston Luce & Co., Vol. I (1912), The Father, Countess Julie, The
Stronger, The Outlaw; Vol. II (1912), Facing Death, Easter, Pariah,
Comrades; Vol. III (1914), Swanwhite, Advent, The Storm, Lucky Pehr,
tr. by Velma Swanston Howard, Cincinnati, Stewart & Kidd Co., 1912.
The Red Room, tr. by Ellie Schleussner, New York, Putnam's, 1913;
Confession of a Fool, tr. by S. Swift, London, F. Palmer, 1912; The
German Lieutenant and Other Stories, Chicago, A. C. McClurg & Co.,
1915; In Midsummer Days and Other Tales, tr. by Ellie Schleussner,
London, H. Latimer, 1913; Motherlove, tr. by Francis J. Ziegler,
Philadelphia, Brown Bros., 2nd ed., 1916, On the Seaboard, tr. by
Elizabeth Clarke Westergren, Cincinnati, Stewart & Kidd Co., 1913;
The Son of a Servant, tr. by. Claud Field, introduction by Henry
Vacher-Burch, New York, Putnam's, 1913; The Growth of a Soul, tr. by
Claud Field, London, W. Rider & Co., 1913; The Inferno, tr. by Claud
Field, New York, Putnam's, 1913; Legends, Autobiographical Sketches,
London, A. Melrose, 1912; Zones of the Spirit, tr. by Claud Field,
introduction by Arthur Babillotte, London, G. Allen & Co.
INTRODUCTION
These stories originally appeared in two volumes, the first in 1884, the
second in 1886. The latter part of the present edition is thus separated
from the first part by a lapse of two years.
Strindberg's views were continually undergoing changes. Constancy
was never a trait of his. He himself tells us that opinions are but the
reflection of a man's experiences, changing as his experiences change.
In the two years following the publication of the first volume,
Strindberg's experiences were such as to exercise a decisive influence
on his views on the woman question and to transmute his early
predisposition to woman-hating from a passive tendency to a positive,
active force in his character and writing.
Strindberg's art in Married is of the propagandist, of the fighter for a
cause. He has a lesson to convey and he makes frankly for his goal
without attempting to conceal his purpose under the gloss of "pure" art.
He chooses the story form in preference to the treatise as a more
powerful medium to drive home his ideas. That the result has proved
successful is due to the happy admixture in Strindberg of thinker and
artist. His artist's sense never permitted him to distort or misrepresent
the truth for the sake of proving his theories. In fact, he arrived at his
theories not as a scholar through the study of books, but as an artist
through the experience of life. When life had impressed upon him what
seemed to him a truth, he then applied his intellect to it to bolster up
that truth. Hence it is
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