proportion of her nose added to her beauty such an air of dignity, as inspired a respect for her equal to the love that might be inspired by her beauty; the rounded contour of her face, produced by a becoming plumpness, exhibited all the vigour and freshness of health; to complete her charms, her glances, the movements of her lips and of her head, appeared to be guided by the graces; her shape corresponded to the beauty of her face; lastly, her arms, her hands, her bearing, and her gait were such that nothing further could be wished to complete the agreeable presentment of a beautiful woman."
[Note: All her contemporaries, indeed, are in agreement as to her marvellous beauty; here is a second portrait of the marquise, delineated in a style and manner still more characteristic of that period:--
"You will remember that she had a complexion smoother and finer than a mirror, that her whiteness was so well commingled with the lively blood as to produce an exact admixture never beheld elsewhere, and imparting to her countenance the tenderest animation; her eyes and hair were blacker than jet; her eyes, I say, of which the gaze could scarce, from their excess of lustre, be supported, which have been celebrated as a miracle of tenderness and sprightliness, which have given rise, a thousand times, to the finest compliments of the day, and have been the torment of many a rash man, must excuse me, if I do not pause longer to praise them, in a letter; her mouth was the feature of her face which compelled the most critical to avow that they had seen none of equal perfection, and that, by its shape, its smallness, and its brilliance, it might furnish a pattern for all those others whose sweetness and charms had been so highly vaunted; her nose conformed to the fair proportion of all her features; it was, that is to say, the finest in the world; the whole shape of her face was perfectly round, and of so charming a fullness that such an assemblage of beauties was never before seen together. The expression of this head was one of unparalleled sweetness and of a majesty which she softened rather by disposition than by study; her figure was opulent, her speech agreeable, her step noble, her demeanour easy, her temper sociable, her wit devoid of malice, and founded upon great goodness of heart."]
It is easy to understand that a woman thus endowed could not, in a court where gallantry was more pursued than in any other spot in the world, escape the calumnies of rivals; such calumnies, however, never produced any result, so correctly, even in the absence of her husband, did the marquise contrive to conduct herself; her cold and serious conversation, rather concise than lively, rather solid than brilliant, contrasted, indeed, with the light turn, the capricious and fanciful expressions employed by the wits of that time; the consequence was that those who had failed to succeed with her, tried to spread a report that the marquise was merely a beautiful idol, virtuous with the virtue of a statue. But though such things might be said and repeated in the absence of the marquise, from the moment that she appeared in a drawing-room, from the moment that her beautiful eyes and sweet smile added their indefinable expression to those brief, hurried, and sensible words that fell from her lips, the most prejudiced came back to her and were forced to own that God had never before created anything that so nearly touched perfection.
She was thus in the enjoyment of a triumph that backbiters failed to shake, and that scandal vainly sought to tarnish, when news came of the wreck of the French galleys in Sicilian waters, and of the death of the Marquis de Castellane, who was in command. The marquise on this occasion, as usual, displayed the greatest piety and propriety: although she had no very violent passion for her husband, with whom she had spent scarcely one of the seven years during which their marriage had lasted, on receipt of the news she went at once into retreat, going to live with Madame d'Ampus, her mother-in-law, and ceasing not only to receive visitors but also to go out.
Six months after the death of her husband, the marquise received letters from her grandfather, M. Joannis de Nocheres, begging her to come and finish her time of mourning at Avignon. Having been fatherless almost from childhood, Mademoiselle de Chateaublanc had been brought up by this good old man, whom she loved dearly; she hastened accordingly to accede to his invitation, and prepared everything for her departure.
This was at the moment when la Voisin, still a young woman, and far from having the reputation which she subsequently
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