her face like a shadow; but she said
nothing. He waited a moment.
"So!" he growled, "the Howth blood does not blush to go down into the
slime of the gutter? is sufficient to itself?"
A cool, attentive motion,--that was all. Then she stooped to tie her
sandals. The old man watched her, irritated. She had been used to the
keen scrutiny of his eyes since she was a baby, so was cool under it
always. The face watching her was one that repelled most men:
dominant, restless, flushing into red gusts of passion, a small, intolerant
eye, half hidden in folds of yellow fat,--the eye of a man who would
give to his master (whether God or Satan) the last drop of his own
blood, and exact the same of other men.
She had tied her bonnet and fastened her shawl, and stood ready to go.
"Is that all you want?" he demanded. "Are you waiting to hear that your
work is well done? Women go through life as babies learn to walk,--a
mouthful of pap every step, only they take it in praise or love. Pap is
better. Which do you want? Praise, I fancy."
"Neither," she said, quietly brushing her shawl. "The work is well done,
I know."
The old man's eye glittered for an instant, satisfied; then he turned to
the books. He thought she had gone, but, hearing a slight clicking
sound, turned round. She was taking the chicken out of the cage.
"Let it alone!" he broke out, sharply. "Where are you going with it?"
"Home," she said, with a queer, quizzical face. "Let it smell the green
fields, Doctor. Ledgers and copperas are not good food for a chicken's
soul, or body either."
"Let it alone!" he growled. "You take it for a type of yourself, eh? It
has another work to do than to grow fat and sleep about the barnyard."
She opened the cage.
"I think I will take it."
"No," he said, quietly. "It has a master here. Not P. Teagarden. Why,
Margret," pushing his stubby finger between the tin bars "do you think
the God you believe in would have sent it here without a work to do?"
She looked up; there was a curious tremour in his flabby face, a shadow
in his rough voice.
"If it dies here, its life won't have been lost. Nothing is lost. Let it
alone."
"Not lost?" she said, slowly, refastening the cage. "Only I think"----
"What, child?"
She glanced furtively at him.
"It's a hard, scraping world where such a thing as that has work to do!"
He vouchsafed no answer. She waited to see his lip curl bitterly, and
then, amused, went down the stairs. She had paid him for his sneer.
The steps were but a long ladder set in the wall, not the great staircase
used by the hands: that was on the other side of the factory. It was a
huge, unwieldy building, such as crowd the suburbs of trading towns.
This one went round the four sides of a square, with the yard for the
vats in the middle. The ladders and passages she passed down were on
the inside, narrow and dimly lighted: she had to grope her way
sometimes. The floors shook constantly with the incessant thud of the
great looms that filled each story, like heavy, monotonous thunder. It
deafened her, made her dizzy, as she went down slowly. It was no short
walk to reach the lower hall, but she was down at last. Doors opened
from it into the ground-floor ware-rooms; glancing in, she saw vast,
dingy recesses of boxes piled up to the dark ceilings. There was a
crowd of porters and draymen cracking their whips, and lounging on
the trucks by the door, waiting for loads, talking politics, and smoking.
The smell of tobacco, copperas, and burning logwood was heavy to
clamminess here. She stopped, uncertain. One of the porters, a short,
sickly man, who stood aloof from the rest, pushed open a door for her
with his staff. Margret had a quick memory for faces; she thought she
had seen this one before as she passed,--a dark face, sullen,
heavy-lipped, the hair cut convict-fashion, close to the head. She
thought too, one of the men muttered "jail-bird," jeering him for his
forwardness. "Load for Clinton! Western Railroad!" sung out a sharp
voice behind her, and, as she went into the street, a train of cars rushed
into the hall to be loaded, and men swarmed out of every
corner,--red-faced and pale, whiskey-bloated and heavy-brained, Irish,
Dutch, black, with souls half asleep somewhere, and the destiny of a
nation in their grasp,--hands, like herself, going through the slow,
heavy work, for, as Pike the manager would have told you, "three
dollars
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