Mare Nostrum | Page 7

great plaster heads with towering foreheads and vacant eyes that seemed always to be contemplating an immense nothingness.
The child could repeat their names like a fragment from a choir book, from Homer to Victor Hugo. Then his glance would seek another head equally glorious although less white, with blonde and grizzled beard, rubicund nose and bilious cheeks that in certain moments scattered bits of scale. The sweet eyes of his godfather--yellowish eyes spotted with black dots--used to receive Ulysses with the doting affection of an aging, old bachelor who needs to invent a family. He it was who had given him at the baptismal font the name which had awakened so much admiration and ridicule among his school companions; with the patience of an old grand-sire narrating saintly stories to his descendants, he would tell Ulysses over and over the adventures of the navigating King of Ithaca for whom he had been named.
With no less devotion did the lad regard all the souvenirs of glory that adorned his house--wreaths of golden leaves, silver cups, nude marble statuettes, placques of different metals upon plush backgrounds on which glistened imperishably the name of the poet Labarta. All this booty the tireless Knight of Letters had conquered by means of his verse.
When the Floral Games were announced, the competitors used to tremble lest it might occur to the great Don Carmelo to hanker after some of the premiums. With astonishing facility he used to carry off the natural flower awarded for the heroic ode, the cup of gold for the amorous romance, the pair of statues dedicated to the most complete historical study, the marble bust for the best legend in prose, and even the "art bronze" reward of philological study. The other aspirants might try for the left-overs.
Fortunately he had confined himself to local literature, and his inspiration would not admit any other drapery than that of Valencian verse. Next to Valencia and its past glories, Greece claimed his admiration. Once a year Ulysses beheld him arrayed in his frock coat, his chest starred with decorations and in his lapel the golden cicada, badge of the poets of Provence.
He it was who was going to be celebrated in the fiesta of Proven?al literature, in which he always played the principal role; he was the prize bard, lecturer, or simple idol to whom other poets were dedicating their eulogies--clerics given to rhyming, personifiers of religious images, silk-weavers who felt the vulgarity of their existence perturbed by the itchings of inspiration--all the brotherhood of popular bards of the ingenuous and domestic brand who recalled the Meistersingers of the old German cities.
His godson always imagined him with a crown of laurel on his brows just like those mysterious blind poets whose portraits and busts ornamented the library. In real life he saw perfectly well that his head had no such adornment, but reality lost its value before the firmness of his conceptions. His godfather certainly must wear a wreath when he was not present. Undoubtedly he was accustomed to wear it as a house cap when by himself.
Another thing which he greatly admired about the grand man was his extensive travels. He had lived in distant Madrid--the scene of almost all the novels read by Ulysses--and once upon a time he had crossed the frontier, going courageously into a remote country called the south of France, in order to visit another poet whom he was accustomed to call "My friend, Mistral." And the lad's imagination, hasty and illogical in its decisions, used to envelop his godfather in a halo of historic interest, similar to that of the conquerors.
At the stroke of the twelve o'clock chimes Labarta, who never permitted any informality in table matters, would become very impatient, cutting short the account of his journeys and triumphs.
"Do?a Pepa!... We have a guest here."
Do?a Pepa was the housekeeper, the great man's companion who for the past fifteen years had been chained to the chariot of his glory. The porti��res would part and through them would advance a huge bosom protruding above an abdomen cruelly corseted. Afterwards, long afterwards, would appear a white and radiant countenance, a face like a full moon, and while her smile like a night star was greeting the little Ulysses, the dorsal complement of her body kept on coming in--forty carnal years, fresh, exuberant, tremendous.
The notary and his wife always spoke of Do?a Pepa as of a familiar person, but the child never had seen her in their home. Do?a Cristina used to eulogize her care of the poet--but distantly and with no desire to make her acquaintance--while Don Esteban would make excuses for the great man.
"What can you expect!... He is an artist, and artists are not able to live as God commands. All of them, however dignified they may appear,