Mare Nostrum | Page 4

Vicente Blasco Ibáñez
skin!... And mysterious and incomprehensible thrills would pass over his body like light exhalations, bubbling up from the slime that is sleeping in the depths of all infancy and coming to the surface during adolescence.
His father guessed in part this imaginary life upon seeing his pet plays and readings.
"Ah, comedian!... Ah, play-actor!... You are like your godfather."
He used to say this with an ambiguous smile in which were equally mingled his contempt for useless idealism and his respect for the artist--a respect similar to the veneration that the Arabs feel for the demented, believing their insanity to be a gift from God.
Do?a Cristina was very anxious that this only son, as spoiled and coddled as though he were a Crown Prince, should become a priest. To see him intone his first Mass!... Then a canon; then a prelate! Who knew if perhaps when she was no longer living, other women might not admire him when preceded by a cross of gold, trailing the red state robe of a cardinal-archbishop, and surrounded by a robed staff--envying the mother who had given birth to this ecclesiastical magnate!...
In order to guide the inclinations of her son she had installed a chapel in one of the empty rooms of the great old house. Ulysses' school companions on free afternoons would hasten thither, doubly attracted by the enchantment, of "playing priest" and by the generous refreshment that Do?a Cristina used to prepare for all the parish clergy.
This solemnity would begin with the furious pealing of some bells hanging over the parlor door, causing the notary's clients, seated in the vestibule waiting for the papers that the clerks were just scribbling off at full speed, to raise their heads in astonishment. The metallic uproar rocked the edifice whose corners had seemed so full of silence, and even disturbed the calm of the street through which a carriage only occasionally passed.
While some of his chums were lighting the candles on the shrines and unfolding the sacred altar cloths of beautiful lace work made by Do?a Cristina, the son and his more intimate friends were arraying themselves before the faithful, covering themselves with surplices and gold-worked vestments and putting wonderful caps on their heads. The mother, who was peeping from behind one of the doors, had to make a great effort not to rush in and devour Ulysses with kisses. With what grace he was imitating the mannerisms and genuflections of the chief priest!...
Up to this point all went perfectly. The three officiating near the pyramid of lights were singing at the top of their lungs, and the chorus of the faithful were responding from the end of the room with tremors of impatience. Suddenly surged forth Protest, Schism and Heresy. Those at the altar had already done more than enough. They must now give up their chasubles to those who were looking on in order that they, in their turn, might exercise the sacred ministry. That was what they had agreed upon. But the clergy resisted with the haughtiness and majesty of acquired right, and impious hands began pulling off the garb of the saints, profaning them and even tearing them. Yells, kicks, images and wax candles on the floor!... Scandal and abominations as though the Anti-Christ were already born!... The prudence of Ulysses put an end to the struggle: "What if we should go up in the p��rche to play?..."
The p��rche was the immense garret of the great old house, so all accepted the plan with enthusiasm. Church was over! And like a flock of birds they went flying up the stairs over the landings of multi-colored tiles with their chipped glaze, disclosing the red brick underneath. The Valencian potters of the eighteenth century had adorned these tiles with Berber and Christian galleys, birds from nearby Albufera, white-wigged hunters offering flowers to a peasant girl, fruits of all kinds, and spirited horsemen on steeds that were half the size of their bodies parading before houses and trees that scarcely reached to the knees of their prancing coursers.
The noisy group spread themselves over the upper floor as in the most terrible invasions of history. Cats and mice fled together to the far-away corners. The terrified birds sped like arrows through the skylights of the roof.
The poor notary!... He had never returned empty-handed when called outside of the city by the confidence of the rich farmers, incapable of believing in any other legal science than his. That was the time when the antique dealers had not yet discovered rich Valencia, where the common people dressed in silks for centuries, and furniture, clothing and pottery seemed always to be impregnated with the light of steady sunshine and with the blue of an always clear atmosphere.
Don Esteban, who believed himself obliged to be an antiquarian by virtue of his membership
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