Madame Sara | Page 5

L.T. Meade
to a whisper.
She started, stepped back, and with great difficulty recovered her composure. At that moment the page-boy returned to conduct us through a series of small waiting-rooms, and we soon found ourselves in the presence of Madame herself.
"Ah!" she said, with a smile. "This is delightful. You have kept your word, Edith, and I am greatly obliged to you. I will now show Mr. Druce some of the mysteries of my trade. But understand, sir," she added, "that I shall not tell you any of my real secrets, only as you would like to know something about me you shall."
"How can you tell I should like to know about you?" I asked.
She gave me an earnest glance which somewhat astonished me, and then she said:
"Knowledge is power; don't refuse what I am willing to give. Edith, you will not object to waiting here while I show Mr. Druce through the rooms. First observe this room, Mr. Druce. It is lighted only from the roof. When the door shuts it automatically locks itself, so that any intrusion from without is impossible. This is my sanctum sanctorum--a faint odour of perfume pervades the room. This is a hot day, but the room itself is cool. What do you think of it all?"
I made no answer. She walked to the other end and motioned to me to accompany her. There stood a polished oak square table, on which lay an array of extraordinary looking articles and implements - stoppered bottles full of strange medicaments, mirrors, plane and concave, brushes, sprays, sponges, delicate needle-pointed instruments of bright steel, tiny lancets, and forceps. Facing this table was a chair, like those used by dentists. Above the chair hung electric lights in powerful reflectors, and lenses like bull's-eye lanterns. Another chair, supported on a glass pedestal, was kept there, Madame Sara informed me, for administering static electricity. There were dry-cell batteries for the continuous currents and induction coils for Faradic currents. There were also platinum needles for burning out the roots of hairs.
Madame took me from this room into another, where a still more formidable array of instruments was to be found. Here were a wooden operating table and chloroform and ether apparatus. When I had looked at everything, she turned to me.
"Now you know," she said. "I am a doctor - perhaps a quack. These are my secrets. By means of these I live and flourish."
She turned her back on me and walked into the other room with the light, springy step of youth. Edith Dallas white as a ghost, was waiting for us.
"You have done your duty, my child," said Madame. "Mr. Druce has seen just what I want him to see. I am very much obliged to you both. We shall meet tonight at Lady Farringdon's 'At Home'. Until then, farewell."
When we got into the street and were driving back again to Eaton Square, I turned to Edith.
"Many things puzzle me about your friend," I said, "but perhaps none more than this. By what possible means can a woman who owns to being the possessor of a shop obtain the entr?e to some of the best houses in London? Why does Society open her doors to this woman, Miss Dallas?"
"I cannot quite tell you," was her reply. "I only know the fact that wherever she goes she is welcomed and treated with consideration, and wherever she fails to appear there is a universally expressed feeling of regret."
I had also been invited to Lady Farringdon's reception that evening, and I went there in a state of great curiosity. There was no doubt that Madame interested me. I was not sure of her. Beyond doubt there was a mystery attached to her, and also, for some unaccountable reason, she wished both to propitiate and defy me. Why was this?
I arrived early, and was standing in the crush near the head of the staircase when Madame was announced. She wore the richest white satin and quantities of diamonds. I saw her hostess bend towards her and talk eagerly. I noticed Madame's reply and the pleased expression that crossed Lady Farringdon's face. A few minutes later a man with a foreign-looking face and long beard sat down before the grand piano. He played a light prelude and Madame Sara began to sing. Her voice was sweet and low, with an extraordinary pathos in it. It was the sort of voice that penetrates to the heart. There was an instant pause in the gay chatter. She sang amidst perfect silence, and when the song had come to an end there followed a furore of applause. I was just turning to say something to my nearest neighbour when I observed Edith Dallas, who was standing close by. Her eyes met mine; she laid her hand on my sleeve.
"The
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