Madame Bovary | Page 3

Gustave Flaubert
cause: [1] distribution of this etext, [2]
alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by disk, book or any other
medium if you either delete this "Small Print!" and all other references to Project
Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove,
alter or modify the etext or this "small print!" statement. You may however, if you wish,
distribute this etext in machine readable binary, compressed, mark-up, or proprietary
form, including any form resulting from conversion by word pro- cessing or hypertext
software, but only so long as *EITHER*:

[*] The etext, when displayed, is clearly readable, and does *not* contain characters
other than those intended by the author of the work, although tilde (~), asterisk (*) and
underline (_) characters may be used to convey punctuation intended by the author, and
additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII,
EBCDIC or equivalent form by the program that displays the etext (as is the case, for
instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense,
a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent
proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive
calculated using the method you already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg
Association/Carnegie-Mellon University" within the 60 days following each date you
prepare (or were legally required to prepare) your annual (or equivalent periodic) tax
return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR
software, public domain etexts, royalty free copyright licenses, and every other sort of
contribution you can think of. Money should be paid to "Project Gutenberg Association /
Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

Madame Bovary
By Gustave Flaubert
Translated from the French by Eleanor Marx-Aveling
To Marie-Antoine-Jules Senard Member of the Paris Bar, Ex-President of the National
Assembly, and Former Minister of the Interior Dear and Illustrious Friend, Permit me to
inscribe your name at the head of this book, and above its dedication; for it is to you,
before all, that I owe its publication. Reading over your magnificent defence, my work
has acquired for myself, as it were, an unexpected authority.
Accept, then, here, the homage of my gratitude, which, how great soever it is, will never
attain the height of your eloquence and your devotion.
Gustave Flaubert Paris, 12 April 1857

MADAME BOVARY







Chapter One
">
Part I






Chapter One
We were in class when the head-master came in, followed by a "new fellow," not
wearing the school uniform, and a school servant carrying a large desk. Those who had
been asleep woke up, and every one rose as if just surprised at his work.
The head-master made a sign to us to sit down. Then, turning to the class-master, he said
to him in a low voice--
"Monsieur Roger, here is a pupil whom I recommend to your care; he'll be in the second.
If his work and conduct are satisfactory, he will go into one of the upper classes, as
becomes his age."
The "new fellow," standing in the corner behind the door so that he could hardly be seen,

was a country lad of about fifteen, and taller than any of us. His hair was cut square on
his forehead like a village chorister's; he looked reliable, but very ill at ease. Although he
was not broad-shouldered, his short school jacket of green cloth with black buttons must
have been tight about the arm-holes, and showed at the opening of the cuffs red wrists
accustomed to being bare. His legs, in blue stockings, looked out from beneath yellow
trousers, drawn tight by braces, He wore stout, ill-cleaned, hob-nailed boots.
We began repeating the lesson. He listened with all his ears, as attentive as if at a sermon,
not daring even to cross his legs or lean on his elbow; and when at two o'clock the bell
rang, the master was obliged to tell him to fall into line with the rest of us.
When we came back to work, we were in the habit of throwing our caps on the ground
Continue reading on your phone by scaning this QR Code

 / 147
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.