Lucretia | Page 6

inelegantly into arabesque designs; and what architects call "the sky line" was broken with imposing effect by tall chimney-shafts of various form and fashion. These wings terminated in angular towers similar to the centre, though kept duly subordinate to it both in size and decoration, and crowned with stone cupolas. A low balustrade, of later date than that which adorned the roof, relieved by vases and statues, bordered the terrace, from which a double flight of steps descended to a smooth lawn, intersected by broad gravel-walks, shadowed by vast and stately cedars, and gently and gradually mingling with the wilder scenery of the park, from which it was only divided by a ha-ha.
Upon the terrace, and under cover of a temporary awning, sat the owner, Sir Miles St. John of Laughton, a comely old man, dressed with faithful precision to the costume which he had been taught to consider appropriate to his rank of gentleman, and which was not yet wholly obsolete and eccentric. His hair, still thick and luxuriant, was carefully powdered, and collected into a club behind; his nether man attired in gray breeches and pearl-coloured silk stockings; his vest of silk, opening wide at the breast, and showing a profusion of frill, slightly sprinkled with the pulvilio of his favourite Martinique; his three-cornered hat, placed on a stool at his side, with a gold-headed crutch-cane (hat made rather to be carried in the hand than worn on the head), the diamond in his shirt- breast, the diamond on his finger, the ruffles at his wrist,--all bespoke the gallant who had chatted with Lord Chesterfield and supped with Mrs. Clive. On a table before him were placed two or three decanters of wine, the fruits of the season, an enamelled snuff-box in which was set the portrait of a female (perhaps the Chloe or Phyllis of his early love- ditties), a lighted taper, a small china jar containing tobacco, and three or four pipes of homely clay,--for cherry-sticks and meerschaums were not then in fashion, and Sir Miles St. John, once a gay and sparkling beau, now a popular country gentleman, great at county meetings and sheep-shearing festivals, had taken to smoking, as in harmony with his bucolic transformation. An old setter lay dozing at his feet; a small spaniel--old, too--was sauntering lazily in the immediate neighbourhood, looking gravely out for such stray bits of biscuit as had been thrown forth to provoke him to exercise, and which hitherto had escaped his attention. Half seated, half reclined on the balustrade, apart from the baronet, but within reach of his conversation, lolled a man in the prime of life, with an air of unmistakable and sovereign elegance and distinction. Mr. Vernon was a guest from London; and the London man,--the man of clubs and dinners and routs, of noon loungings through Bond Street, and nights spent with the Prince of Wales,--seemed stamped not more upon the careful carelessness of his dress, and upon the worn expression of his delicate features, than upon the listless ennui, which, characterizing both his face and attitude, appeared to take pity on himself for having been entrapped into the country.
Yet we should convey an erroneous impression of Mr. Vernon if we designed, by the words "listless ennui," to depict the slumberous insipidity of more modern affectation; it was not the ennui of a man to whom ennui is habitual, it was rather the indolent prostration that fills up the intervals of excitement. At that day the word blast was unknown; men had not enough sentiment for satiety. There was a kind of Bacchanalian fury in the life led by those leaders of fashion, among whom Mr. Vernon was not the least distinguished; it was a day of deep drinking, of high play, of jovial, reckless dissipation, of strong appetite for fun and riot, of four-in-hand coachmanship, of prize- fighting, of a strange sort of barbarous manliness that strained every nerve of the constitution,--a race of life in which three fourths of the competitors died half-way in the hippodrome. What is now the Dandy was then the Buck; and something of the Buck, though subdued by a chaster taste than fell to the ordinary members of his class, was apparent in Mr. Vernon's costume as well as air. Intricate folds of muslin, arranged in prodigious bows and ends, formed the cravat, which Brummell had not yet arisen to reform; his hat, of a very peculiar shape, low at the crown and broad at the brim, was worn with an air of devil-me-care defiance; his watch-chain, garnished with a profusion of rings and seals, hung low from his white waistcoat; and the adaptation of his nankeen inexpressibles to his well-shaped limbs was a masterpiece of art. His whole dress and air was not what could properly