Lucretia | Page 8

pencil and tablet in hand, sketching. Let us look over his shoulder: it is his father's likeness,--a countenance in itself not very remarkable at the first glance, for the features were small; but when examined, it was one that most persons, women especially, would have pronounced handsome, and to which none could deny the higher praise of thought and intellect. A native of Provence, with some Italian blood in his veins,--for his grandfather, a merchant of Marseilles, had married into a Florentine family settled at Leghorn,--the dark complexion common with those in the South had been subdued, probably by the habits of the student, into a bronze and steadfast paleness which seemed almost fair by the contrast of the dark hair which he wore unpowdered, and the still darker brows which hung thick and prominent over clear gray eyes. Compared with the features, the skull was disproportionally large, both behind and before; and a physiognomist would have drawn conclusions more favourable to the power than the tenderness of the Provencal's character from the compact closeness of the lips and the breadth and massiveness of the iron jaw. But the son's sketch exaggerated every feature, and gave to the expression a malignant and terrible irony not now, at least, apparent in the quiet and meditative aspect. Gabriel himself, as be stood, would have been a more tempting study to many an artist. It is true that he was small for his years; but his frame had a vigour in its light proportions which came from a premature and almost adolescent symmetry of shape and muscular development. The countenance, however, had much of effeminate beauty: the long hair reached the shoulders, but did not curl,--straight, fine, and glossy as a girl's, and in colour of the pale auburn, tinged with red, which rarely alters in hue as childhood matures to man; the complexion was dazzlingly clear and fair. Nevertheless, there was something so hard in the lip, so bold, though not open, in the brow, that the girlishness of complexion, and even of outline, could not leave, on the whole, an impression of effeminacy. All the hereditary keenness and intelligence were stamped upon his face at that moment; but the expression had also a large share of the very irony and malice which he had conveyed to his caricature. The drawing itself was wonderfully vigorous and distinct; showing great artistic promise, and done with the rapidity and ease which betrayed practice. Suddenly his father turned, and with as sudden a quickness the boy concealed his tablet in his vest; and the sinister expression of his face smoothed into a timorous smile as his eye encountered Dalibard's. The father beckoned to the boy, who approached with alacrity. "Gabriel," whispered the Frenchman, in his own tongue, "where are they at this moment?"
The boy pointed silently towards one of the cedars. Dalibard mused an instant, and then, slowly descending the steps, took his noiseless way over the smooth turf towards the tree. Its boughs drooped low and spread wide; and not till he was within a few paces of the spot could his eye perceive two forms seated on a bench under the dark green canopy. He then paused and contemplated them.
The one was a young man whose simple dress and subdued air strongly contrasted the artificial graces and the modish languor of Mr. Vernon; but though wholly without that nameless distinction which sometimes characterizes those conscious of pure race and habituated to the atmosphere of courts, he had at least Nature's stamp of aristocracy in a form eminently noble, and features of manly, but surpassing beauty, which were not rendered less engaging by an expression of modest timidity. He seemed to be listening with thoughtful respect to his companion, a young female by his side, who was speaking to him with an earnestness visible in her gestures and her animated countenance. And though there was much to notice in the various persons scattered over the scene, not one, perhaps,--not the graceful Vernon, not the thoughtful scholar, nor his fair-haired, hard-lipped son, not even the handsome listener she addressed,--no, not one there would so have arrested the eye, whether of a physiognomist or a casual observer, as that young girl, Sir Miles St. John's favourite niece and presumptive heiress.
But as at that moment the expression of her face differed from that habitual to it, we defer its description.
"Do not," such were her words to her companion,--"do not alarm yourself by exaggerating the difficulties; do not even contemplate them: those be my care. Mainwaring, when I loved you; when, seeing that your diffidence or your pride forbade you to be the first to speak, I overstepped the modesty or the dissimulation of my sex; when I said, 'Forget that I am the reputed heiress of Laughton,