there's the devil to pay.
SCENE III.
Enter LOUISA with a book in her hand.
LOUISA. Good morning, dear father!
MILLER (affectionately). Bless thee, my Louisa! I rejoice to see thy
thoughts are turned so diligently to thy Creator. Continue so, and his
arm will support thee.
LOUISA. Oh! I am a great sinner, father! Was he not here, mother?
MRS MILLER. Who, my child?
LOUISA. Ah! I forgot that there are others in the world besides
him--my head wanders so. Was he not here? Ferdinand?
MILLER (with melancholy, serious voice). I thought my Louisa had
forgotten that name in her devotions?
LOUISA (after looking at him steadfastly for some time). I understand
you, father. I feel the knife which stabs my conscience; but it comes too
late. I can no longer pray, father. Heaven and Ferdinand divide my
bleeding soul, and I fear--I fear--(after a pause). Yet no, no, good father.
The painter is best praised when we forget him in the contemplation of
his picture. When in the contemplation of his masterpiece, my delight
makes me forget the Creator,--is not that, father, the true praise of God?
MILLER (throws himself in displeasure on a chair). There we have it!
Those are the fruits of your ungodly reading.
LOUISA (uneasy, goes to the window). Where can he be now? Ah! the
high-born ladies who see him--listen to him----I am a poor forgotten
maiden. (Startles at that word, and rushes to her father.) But no, no!
forgive me. I do not repine at my lot. I ask but little--to think on
him--that can harm no one. Ah! that I might breathe out this little spark
of life in one soft fondling zephyr to cool his check! That this fragile
floweret, youth, were a violet, on which he might tread, and I die
modestly beneath his feet! I ask no more, father! Can the proud,
majestic day-star punish the gnat for basking in its rays?
MILLER (deeply affected, leans on the arm of his chair, and covers his
face). My child, my child, with joy would I sacrifice the remnant of my
days hadst thou never seen the major.
LOUISA (terrified.) How; how? What did you say? No, no! that could
not be your meaning, good father. You know not that Ferdinand is mine!
You know not that God created him for me, and for my delight alone!
(After a pause of recollection.) The first moment that I beheld him--and
the blood rushed into my glowing cheeks--every pulse beat with joy;
every throb told me, every breath whispered, "'Tis he!" And my heart,
recognizing the long-desired one, repeated "'Tis he!" And the whole
world was as one melodious echo of my delight! Then--oh! then was
the first dawning of my soul! A thousand new sentiments arose in my
bosom, as flowers arise from the earth when spring approaches. I forgot
there was a world, yet never had I felt that world so dear to me! I forgot
there was a God, yet never had I so loved him!
MILLER (runs to her and clasps her to his bosom). Louisa! my beloved,
my admirable child! Do what thou wilt. Take all--all--my life--the
baron-- God is my witness--him I can never give thee! [Exit.
LOUISA. Nor would I have him now, father! Time on earth is but a
stinted dewdrop in the ocean of eternity. 'Twill swiftly glide in one
delicious dream of Ferdinand. I renounce him for this life! But then,
mother--then when the bounds of separation are removed--when the
hated distinctions of rank no longer part us--when men will be only
men--I shall bring nothing with me save my innocence! Yet often has
my father told me that at the Almighty's coming riches and titles will be
worthless; and that hearts alone will be beyond all price. Oh! then shall
I be rich! There, tears will be reckoned for triumphs, and purity of soul
be preferred to an illustrious ancestry. Then, then, mother, shall I be
noble! In what will he then be superior to the girl of his heart?
MRS. MILLER (starts from her seat). Louisa! the baron! He is jumping
over the fence! Where shall I hide myself?
LOUISA (begins to tremble). Oh! do not leave me, mother!
MRS MILLER. Mercy! What a figure I am. I am quite ashamed! I
cannot let his lordship see me in this state!
[Exit.
SCENE IV.
LOUISA--FERDINAND. (He flies towards her--she falls back into her
chair, pale and trembling. He remains standing before her--they look at
each other for some moments in silence. A pause.)
FERDINAND. So pale, Louisa?
LOUISA (rising, and embracing him). It is nothing--nothing now that
you are here--it is over.
FERDINAND (takes her hand and raises it to his lips). And does my
Louisa still love me? My heart is
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