Lourdes | Page 2

their comments, their laughter, their seriousness, and their accent, that the South showed itself almost unmixed. It was market-day in Tarbes; and when once more we were on our way, we still went slowly; passing, almost all the way into Lourdes itself, a long-drawn procession--carts and foot passengers, oxen, horses, dogs, and children--drawing nearer every minute toward that ring of solemn blue hills that barred the view to Spain.
It is difficult to describe with what sensations I came to Lourdes. As a Christian man, I did not dare to deny that miracles happened; as a reasonably humble man, I did not dare to deny that they happened at Lourdes; yet, I suppose, my attitude even up to now had been that of a reverent agnostic--the attitude, in fact, of a majority of Christians on this particular point--Christians, that is, who resemble the Apostle Thomas in his less agreeable aspect. I had heard and read a good deal about psychology, about the effect of mind on matter and of nerves on tissue; I had reflected upon the infection of an ardent crowd; I had read Zola's dishonest book;[1] and these things, coupled with the extreme difficulty which the imagination finds in realizing what it has never experienced--since, after all, miracles are confessedly miraculous, and therefore unusual--the effect of all this was to render my mental state a singularly detached one. I believed? Yes, I suppose so; but it was a halting act of faith pure and simple; it was not yet either sight or real conviction.
The cross, then, was the first glimpse of Lourdes' presence; and ten minutes later we were in the town itself.
Lourdes is not beautiful, though it must once have been. It was once a little Franco-Spanish town, set in the lap of the hills, with a swift, broad, shallow stream, the Gave, flowing beneath it. It is now cosmopolitan, and therefore undistinguished. As we passed slowly through the crowded streets--for the National Pilgrimage was but now arriving--we saw endless rows of shops and booths sheltering beneath tall white blank houses, as correct and as expressionless as a brainless, well-bred man. Here and there we passed a great hotel. The crowd about our wheels was almost as cosmopolitan as a Roman crowd. It was largely French, as that is largely Italian; but the Spaniards were there, vivid-faced men and women, severe Britons, solemn Teutons; and, I have no doubt, Italians, Belgians, Flemish and Austrians as well. At least I heard during my three days' stay all the languages that I could recognize, and many that I could not. There were many motor-cars there besides our own, carriages, carts, bell-clanging trams, and the litters of the sick. Presently we dismounted in a side street, and set out to walk to the Grotto, through the hot evening sunshine.
The first sign of sanctity that we saw, as we came out at the end of a street, was the mass of churches built on the rising ground above the river. Imagine first a great oval of open ground, perhaps two hundred by three hundred yards in area, crowded now with groups as busy as ants, partly embraced by two long white curving arms of masonry rising steadily to their junction; at the point on this side where the ends should meet if they were prolonged, stands a white stone image of Our Lady upon a pedestal, crowned, and half surrounded from beneath by some kind of metallic garland arching upward. At the farther end the two curves of masonry of which I have spoken, rising all the way by steps, meet upon a terrace. This terrace is, so to speak, the centre of gravity of the whole.
For just above it stands the flattened dome of the Rosary Church, of which the doors are beneath the terrace, placed upon broad flights of steps. Immediately above the dome is the entrance to the crypt of the basilica; and, above that again, reached by further flights of steps, are the doors of the basilica; and, above it, the roof of the church itself, with its soaring white spire high over all.
Let me be frank. These buildings are not really beautiful. They are enormous, but they are not impressive; they are elaborate and fine and white, but they are not graceful. I am not sure what is the matter with them; but I think it is that they appear to be turned out of a machine. They are too trim; they are like a well-dressed man who is not quite a gentleman; they are like a wedding guest; they are haute-bourgeoise, they are not the nobility. It is a terrible pity, but I suppose it could not be helped, since they were allowed so little time to grow. There is no sense of reflectiveness about them,