Lives of the Poets | Page 9

from the admission of broken lines into his "Solomon;" but perhaps he thought, like Cowley, that hemistichs ought to be admitted into heroic poetry.
He had apparently such rectitude of judgment as secured him from everything that approached to the ridiculous or absurd; but as law operates in civil agency, not to the excitement of virtue, but the repression of wickedness, so judgment in the operations of intellect can hinder faults, but not produce excellence. Prior is never low, nor very often sublime. It is said by Longinus of Euripides, that he forces himself sometimes into grandeur by violence of effort, as the lion kindles his fury by the lashes of his own tail. Whatever Prior obtains above mediocrity seems the effort of struggle and of toil. He has many vigorous, but few happy lines; he has everything by purchase, and nothing by gift; he had no NIGHTLY VISITATIONS of the Muse, no infusions of sentiment or felicities of fancy. His diction, however, is more his own than of any among the successors of Dryden; he borrows no lucky turns, or commodious modes of language, from his predecessors. His phrases are original, but they are sometimes harsh; as he inherited no elegances, none has he bequeathed. His expression has every mark of laborious study, the line seldom seems to have been formed at once; the words did not come till they were called, and were then put by constraint into their places, where they do their duty, but do it sullenly. In his greater compositions there may be found more rigid stateliness than graceful dignity.
Of versification he was not negligent. What he received from Dryden he did not lose; neither did he increase the difficulty of writing by unnecessary severity, but uses triplets and alexandrines without scruple. In his preface to "Solomon" he proposes some improvements by extending the sense from one couplet to another with variety of pauses. This he has attempted, but without success; his interrupted lines are unpleasing, and his sense, as less distinct, is less striking. He has altered the stanza of Spenser as a house is altered by building another in its place of a different form. With how little resemblance he has formed his new stanza to that of his master these specimens will show:-
SPENSER.
"She flying fast from Heaven's fated face,?And from the world that her discovered wide,?Fled to the wasteful wilderness space,?From living eyes her open shame to hide,?And lurked in rocks and caves long unespied.?But that fair crew of knights, and Una fair,?Did in that castle afterwards abide,?To rest themselves, and weary powers repair,?Where store they found of all that dainty was and rare?"
PRIOR.
"To the close rock the frightened raven flies,?Soon as the rising eagle cuts the air;?The shaggy wolf unseen and trembling lies,?When the hoarse roar proclaims the lion near.?Ill-starred did we our forts and lines forsake,?To dare our British foes to open fight:?Our conquest we by stratagem should make;?Our triumph had been founded in our flight.?'Tis ours by craft and by surprise to gain;?'Tis theirs to meet in arms, and battle in the plain."
By this new structure of his lines he has avoided difficulties; nor am I sure that he has lost any of the power of pleasing, but he no longer imitates Spencer. Some of his poems are written without regularity of measures; for, when he commenced poet, he had not recovered from our Pindaric infatuation; but he probably lived to be convinced that the essence of verse is order and consonance. His numbers are such as mere diligence may attain; they seldom offend the ear, and seldom soothe it; they commonly want airiness, lightness, and facility. What is smooth is not soft. His verses always roll, but they seldom flow.
A survey of the life and writings of Prior may exemplify a sentence which he doubtless understood well when he read Horace at his uncle's, "The vessel long retains the scent which it first?receives." In his private relaxation he revived the tavern, and in his amorous pedantry he exhibited the college. But on higher occasions and nobler subjects, when habit was overpowered by the necessity of reflection, he wanted not wisdom as a statesman, or elegance as a poet.
CONGREVE
William Congreve descended from a family in Staffordshire of so great antiquity, that it claims a place among the few that extend their hue beyond the Norman Conquest, and was the son of William Congreve, second son of Richard Congreve, of Congreve and Stratton. He visited, once at least, the residence of his ancestors; and, I believe, more places than one are still shown in groves and gardens, where he is related to have written his Old Bachelor.
Neither the time nor place of his birth is certainly known. If the inscription upon his monument be true, he was born in 1672. For