stop long enough for one generation of mothers to be made all right, what a Millennium could be begun in thirty years!" Some one, in her childhood, called her a "stupid child" before strangers, and she never forgot the sting of it.
In Colorado, in 1876, eleven years after the death of Major Hunt, she married Mr. William Sharpless Jackson, a Quaker and a cultured banker. Her home, at Colorado Springs, became an ideal one, sheltered under the great Manitou, and looking toward the Garden of the Gods, full of books and magazines, of dainty rugs and dainty china gathered from many countries, and richly colored Colorado flowers. Once, when Eastern guests were invited to luncheon, twenty-three varieties of wildflowers, each massed in its own color, adorned the home. A friend of hers says: "There is not an artificial flower in the house, on embroidered table-cover or sofa cushion or tidy; indeed, Mrs. Jackson holds that the manufacture of silken poppies and crewel sun-flowers is a 'respectable industry,' intended only to keep idle hands out of mischief."
Mrs. Jackson loved flowers almost as though they were children. She writes: "I bore on this June day a sheaf of the white columbine,--one single sheaf, one single root; but it was almost more than I could carry. In the open spaces, I carried it on my shoulder; in the thickets, I bore it carefully in my arms, like a baby.... There is a part of Cheyenne Mountain which I and one other have come to call 'our garden.' When we drive down from 'our garden,' there is seldom room for another flower in our carriage. The top thrown back is filled, the space in front of the driver is filled, and our laps and baskets are filled with the more delicate blossoms. We look as if we were on our way to the ceremonies of Decoration Day. So we are. All June days are decoration days in Colorado Springs, but it is the sacred joy of life that we decorate,--not the sacred sadness of death." But Mrs. Jackson, with her pleasant home, could not rest from her work. Two novels came from her pen, Mercy Philbrick's Choice and _Hetty's Strange History_. It is probable also that she helped to write the beautiful and tender Saxe Holm Stories. It is said that Draxy Miller's Dowry and Esther Wynn's Love Letters were written by another, while Mrs. Jackson added the lovely poems; and when a request was made by the publishers for more stories from the same author, Mrs. Jackson was prevailed upon to write them.
The time had now come for her to do her last and perhaps her best work. She could not write without a definite purpose, and now the purpose that settled down upon her heart was to help the defrauded Indians. She believed they needed education and Christianization rather than extermination. She left her home and spent three months in the Astor Library of New York, writing her Century of Dishonor, showing how we have despoiled the Indians and broken our treaties with them. She wrote to a friend, "I cannot think of anything else from night to morning and from morning to night." So untiringly did she work that she made herself ill, and was obliged to go to Norway, leaving a literary ally to correct the proofs of her book.
At her own expense, she sent a copy to each member of Congress. Its plain facts were not relished in some quarters, and she began to taste the cup that all reformers have to drink; but the brave woman never flinched in her duty. So much was the Government impressed by her earnestness and good judgment, that she was appointed a Special Commissioner with her friend, Abbott Kinney, to examine and report on the condition of the Mission Indians in California.
Could an accomplished, tenderly reared woman go into their adobe villages and listen to their wrongs? What would the world say of its poet? Mrs. Jackson did not ask; she had a mission to perform, and the more culture, the more responsibility. She brought cheer and hope to the red men and their wives, and they called her "the Queen." She wrote able articles about them in the Century.
The report made by Mr. Kinney and herself, which she prepared largely, was clear and convincing. How different all this from her early life! Mrs. Jackson had become more than poet and novelist; even the leader of an oppressed people. At once, in the winter of 1883, she began to write her wonderfully graphic and tender Ramona, and into this, she said, "I put my heart and soul." The book was immediately reprinted in England, and has had great popularity. She meant to do for the Indian what Mrs. Stowe did for the
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