Little Journeys to the Homes of the Great | Page 6

Elbert Hubbard
given to the man to whom it referred.
He read the message, smiled dreamily, tore it into bits and dropped it on the tide. And the ship turned her prow toward America and sailed away. So this was the man who had no firmness, no decision, no will! Aye, heretofore he had only lacked a motive. Now love supplied it.
* * * * *
It is life supplies the writer his theme. People who have not lived, no matter how grammatically they may write, have no real message. Robert Louis had now severed the umbilical cord. He was going to live his own life, to earn his own living. He could do but one thing, and that was to write. He may have been a procrastinator in everything else, but as a writer he was a skilled mechanic. And so straightway on that ship he began to work his experiences up into copy. Just what he wrote the world will never know, for although the manuscript was sold to a publisher, yet Barabbas did not give it to the people. There are several ways by which a publisher can thrive.
To get paid for not publishing is easy money--it involves no risk. In this instance an Edinburgh publisher bought the manuscript for thirty pounds, intending to print it in book form, showing the experience of a Scotchman in search of a fortune in New York.
In order to verify certain dates and data, the publisher submitted the manuscript to Thomas Stevenson. Great was that gentleman's interest in the literary venture of his son. He read with a personal interest, for he was the author of the author's being. But as he read he felt that he himself was placed in a most unenviable light, for although he was not directly mentioned, yet the suffering of the son on the emigrant ship seemed to point out the father as one who disregarded his parental duties. And above all things Thomas Stevenson prided himself on being a good provider. Thomas Stevenson straightway bought the manuscript from the publisher for one hundred pounds.
On hearing of the fate of his book, Robert Louis intimated to his father that thereafter it would be as well for them to deal direct with each other and thus save the middleman's profits.
However, the father and son got together on the manuscript question some years later, and the over-sensitive parent was placated by striking out certain passages that might be construed as aspersions, and a few direct complimentary references inserted, and the printer got the book on payment of two hundred pounds. The transaction turned out so well that Thomas Stevenson said, "I told you so," and Robert Louis saw the patent fact that hindsight, accident and fear sometimes serve us quite as well as insight and perspicacity, not to mention perspicuity. We aim for one target and hit the bull's-eye on another. We sail for a certain port, where, unknown to us, pirates lie in wait, and God sends His storms and drives us upon Treasure Island. There we load up with ingots; the high tide floats us, and we sail away for home with our unearned increment to tell the untraveled natives how we most surely are the people and that wisdom will die with us.
* * * * *
Robert Louis was a sick man. The ship was crowded and the fare and quarters were far from being what he always had been used to. The people he met in the second cabin were neither literary nor artistic, but some of them had right generous hearts. On being interrogated by one of his messmates as to his business, Robert Louis replied that he was a stone-mason. The man looked at his long, slim, artistic fingers and knew better, but he did not laugh.
He respected this young man with the hectic flush, reverenced his secret whatever it might be, and smuggled delicacies from the cook's galley for the alleged stone-mason. "Thus did he shovel coals of fire on my head until to ease my heart I called him aft one moonlight night and told him I was no stone-mason, and begged him to forgive me for having sought to deceive one of God's own gentlemen." Meantime, every day our emigrant turned out a little good copy, and this made life endurable, for was it not Robert Louis himself who gave us this immortal line, "I know what pleasure is, for I have done good work"?
He was going to her. Arriving in New York he straightway invested two good dollars in a telegram to San Francisco, and five cents in postage on a letter to Edinburgh. These two things done he would take time to rest up for a few days in New York. One of the passengers had given him the address
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