The passion of father for daughter, of mother for son--there is often something very loverlike in it--a deal of whimsy! Miss Barrett's darkened room had been illumined by a light that the gruff and goodly merchant wist not of. Loneliness and solitude and physical pain and heart-hunger had taught her things that no book recorded nor tutor knew. Her father could not follow her; her allusions were obscure, he said, wilfully obscure; she was growing perverse.
Love is a pain at times. To ease the hurt the lover would hurt the beloved. He badgers her, pinches her, provokes her. One step more and he may kill her.
Edward Barrett's daughter, she of the raven curls and gentle ways, was reaching a point where her father's love was not her life. A good way to drive love away is to be jealous. He had seen it coming years before; he brooded over it; the calamity was upon him. Her fame was growing: some one called her the Shakespeare of women. First, her books had been published at her father's expense; next, editors were willing to run their own risks, and now messengers with bank-notes waited at the door and begged to exchange the bank-notes for manuscript. John Kenyon said, "I told you so," but Edward Barrett scowled. He accused her foolishly; he attempted to dictate to her--she must use this ink or that. Why? Because he said so. He quarreled with her to ease the love-hurt that was smarting in his heart.
Poor, little, pale-faced poet! Earthly success has nothing left for thee! Thy thoughts, too great for speech, fall on dull ears. Even thy father, for whom thou first took up pen, doth not understand thee! and a mother's love thou hast never known. And fame without love--how barren! Heaven is thy home. Let slip thy thin, white hands on the thread of life and glide gently out at ebb of tide--out into the unknown. It can not but be better than this--God understands! Compose thy troubled spirit, give up thy vain hopes. See! thy youth is past, little woman; look closely! there are gray hairs in thy locks, thy face is marked with lines of care, and have I not seen signs of winter in thy veins? Earth holds naught for thee. Come, take thy pen and write, just a last good-by, a tender farewell, such as thou alone canst say. Then fold thy thin hands, and make peace with all by passing out and away, out and away--God understands!
* * * * *
Elizabeth Barrett was thirty-seven, and Miss Mitford, up to London from the country for a couple of days, wrote home that she had lost her winsome beauty.
John Kenyon had turned well into sixty, but he carried his years in a jaunty way. He wore a moss-rose bud in the lapel of his well-fitting coat. His linen was immaculate, and the only change people saw in him was that he wore spectacles in place of a monocle.
The physicians allowed Mr. Kenyon to visit the darkened room whenever he chose, for he never stayed so very long, neither was he ever the bearer of bad news.
Did the greatest poetess of the age (temporarily slightly indisposed) know one Browning--Robert Browning, a writer of verse? Why, no; she had never met him, but of course she knew of him, and had read everything he had written. He had sent her one of his books once. He was surely a man of brilliant parts--so strong and farseeing! He lives in Italy, with the monks, they say. What a pity the English people do not better appreciate him!
"But he may succeed yet," said Mr. Kenyon. "He is not old."
"Oh, of course, such genius must some day be recognized. But he may be gone then--how old did you say he was?"
Mr. Kenyon had not said; but he now explained that Mr. Browning was thirty-four, that is to say, just the age of himself, ahem! Furthermore, Mr. Browning did not live in Italy--that is, not now, for at that present moment he was in London. In fact, Mr. Kenyon had lunched with him an hour before. They had talked of Miss Barrett (for who else was there among women worth talking of!) and Mr. Browning had expressed a wish to see her. Mr. Kenyon had expressed a wish that Mr. Browning should see her, and now if Miss Barrett would express a wish that Mr. Browning should call and see her, why, Mr. Kenyon would fetch him--doctors or no doctors.
And he fetched him.
And I'm glad, aren't you?
Now Robert Browning was not at all of the typical poet type. In stature, he was rather short; his frame was compact and muscular. In his youth, he had been a wrestler--carrying away laurels of a different sort from those which
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