Literary Remains | Page 3

On the Distinctions of the Witty, the Droll, the Odd, and the Humorous; the Nature and Constituents of Humour; Rabelais, Swift, Sterne X. Donne, Dante, Milton, 'Paradise Lost' XI. Asiatic and Greek Mythologies, Robinson Crusoe, Use of Works of Imagination in Education XII. Dreams, Apparitions, Alchemists, Personality of the Evil Being, Bodily Identity XIII. On Poesy or Art XIV. On Style
Notes on Sir Thomas Browne's Religio Medici Notes on Junius Notes on Barclay's 'Argenis' Note in Casaubon's 'Persius' Notes on Chapman's Homer Note in Baxter's 'Life of Himself' Fragment of an Essay on Taste Fragment of an Essay on Beauty
Poems and Poetical Fragments
OMNIANA. The French Decade Ride and Tie Jeremy Taylor Criticism Public Instruction Picturesque Words Toleration War Parodies M. Dupuis Origin of the Worship of Hymen Egotism Cap of Liberty Bulls Wise Ignorance Rouge Hasty Words Motives and Impulses Inward Blindness The Vices of Slaves no excuse for Slavery Circulation of the Blood 'Peritura Parcere Chartae' To have and to be Party Passion Goodness of Heart Indispensable to a Man of Genius Milton and Ben Jonson Statistics Magnanimity Negroes and Narcissuses An Anecdote The Pharos at Alexandria Sense and Common Sense Toleration Hint for a New Species of History Text Sparring Pelagianism The Soul and its Organs of Sense Sir George Etherege, &c. Evidence Force of Habit Phoenix Memory and Recollection 'Aliquid ex Nihilo' Brevity of the Greek and English compared The Will and the Deed The Will for the Deed Sincerity Truth and Falsehood Religious Ceremonies Association Curiosity New Truths Vicious Pleasures Meriting Heaven Dust to Dust Human Countenance Lie useful to Truth Science in Roman Catholic States Voluntary Belief Amanda Hymen's Torch Youth and Age December Morning Archbishop Leighton Christian Honesty Inscription on a Clock in Cheapside Rationalism is not Reason Inconsistency Hope in Humanity Self-love in Religion Limitation of Love of Poetry Humility of the Amiable Temper in Argument Patriarchal Government Callous self-conceit A Librarian Trimming Death Love an Act of the Will Wedded Union Difference between Hobbes and Spinosa The End may justify the Means Negative Thought Man's return to Heaven Young Prodigies Welch names German Language The Universe Harberous An Admonition To Thee Cherubim and Seraphim continually do cry Definition of Miracle Death, and grounds of belief in a Future State Hatred of Injustice Religion The Apostles' Creed A Good Heart Evidences of Christianity 'Confessio Fidei

THE FALL OF ROBESPIERRE
AND OTHER POEMS.

TO H. MARTIN, ESQ.
OF JESUS COLLEGE, CAMBRIDGE.
DEAR SIR,
Accept, as a small testimony of my grateful attachment, the following Dramatic Poem, in which I have endeavoured to detail, in an interesting form, the fall of a man, whose great bad actions have cast a disastrous lustre on his name. In the execution of the work, as intricacy of plot could not have been attempted without a gross violation of recent facts, it has been my sole aim to imitate the impassioned and highly figurative language of the French Orators, and to develope the characters of the chief actors on a vast stage of horrors.
Yours fraternally,
S. T. COLERIDGE.
Jesus College, September 22, 1794.

THE FALL OF ROBESPIERRE.
AN HISTORIC DRAMA. 1794. [1]
[Footnote 1: The origin and authorship of "The Fall of Robespierre" will be best explained by the following extract from a letter from Mr. Southey to the Editor:
"This is the history of The Fall of Robespierre. It originated in sportive conversation at poor Lovell's, and we agreed each to produce an act by the next evening;--S. T. C. the first, I the second, and Lovell the third. S. T. C. brought part of his, I and Lovell the whole of ours; but L.'s was not in keeping, and therefore I undertook to supply the third also by the following day. By that time, S. T. C. had filled up his. A dedication to Mrs. Hannah More was concocted, and the notable performance was offered for sale to a bookseller in Bristol, who was too wise to buy it. Your Uncle took the MSS. with him to Cambridge, and there rewrote the first act at leisure, and published it. My portion I never saw from the time it was written till the whole was before the world. It was written with newspapers before me, as fast as newspaper could be put into blank verse. I have no desire to claim it now, or hereafter; but neither am I ashamed of it; and if you think proper to print the whole, so be it."--
"The Fall of Robespierre, a tragedy, of which the first act was written by S. T. Coleridge." Mr. C.'s note in the Conciones ad Populum, 1795. Ed.]

ACT I.
SCENE--'The Tuilleries'.
BARRERE. The tempest gathers--be it mine to seek A friendly shelter, ere it bursts upon him. But where? and how? I fear the tyrant's soul-- Sudden in action, fertile in resource, And rising awful 'mid impending ruins; In splendour