Lippincotts Magazine of Popular Literature and Science, Volume 22. October, 1878 | Page 6

number of voters to be conciliated so suddenly increased, this only adds to the outer bustle and success of these social "field-days." Coventry has a pretty flourishing watchmaking trade, besides its staple one of ribbon-weaving; and indeed the whole county, villages included, is given up to manufacture: the places round Warwick and Coventry to a great extent share in the silk trade, while Alcester has a needle manufacture of its own, Atherstone a hat manufacture, and Amworth, which is partly in Staffordshire, was famous until lately for calico-printing and making superfine narrow woollen cloths: it also has flax-mills. The kings of Mercia used to keep state here, and the Roman road, Watling Street, passed through it, with which contrast now the iron roads that pass every place of the least importance, and in this neighborhood lead to the busy centre of the hardware trade, smoky, wide-awake, turbulent, educated, hard-headed Birmingham. This, too, is within the "King-maker's" county, and how oddly it has inherited or picked up his power will be noted by those familiar with the political and parliamentary history of England within the last forty years; but, though now an ultra-Radical constituency, it is no historical upstart, but can trace its name in Domesday Book, where it appears as Bermengeham, and can find its record as an English Damascus in the fifteenth century, before which it had been already famous for leather-tanning. The death, a year ago, of one of the most gifted though retiring men of the English nobility, the late Lord Lyttleton, makes it worth mentioning that his house, Hagley, stands twelve miles from Birmingham, and that both his house and his forefathers were well known as the home and patrons of literary men: Thomson, Pope and other poets have described and apostrophized Hagley. The late owner was a good antiquary and writer, but in society he was painfully shy.
[Illustration: BABLAKE'S HOSPITAL, COVENTRY.]
The southern part of Warwickshire, adjoining Gloucestershire, or rather a wedge of that shire advancing into Worcestershire, is the most rich, agriculturally speaking, and besides its apple-orchards is famous for its dairy and grazing systems, while the northern part, once a forest, is still full of heaths, moors and woods. There is not much to say about its farms, unless technically, nor the appearance of the farm-buildings, the modern ones being generally of brick and more substantial than beautiful. Country-seats have a likeness to each other, and a way of surrounding themselves with the same kind of garden scenery, so that unless where the whole face of Nature has some strongly-marked features, such as mountains or moors, the houses of the local gentry do not impart a special individuality to a neighborhood; but in a mild and blooming way one may say that Warwickshire has a fair share of pretty country-houses and attractive parsonages. Still, the beauty of the southern and midland counties is altogether a beauty of detail and cultivation, of historical association and architectural contrast; not that which in the north and east depends much upon the beholder's sympathy with Nature unadorned--wild stretches of seashore and pathless moors, mountain-defiles and wooded tarns. Wales and Cornwall, again, have the stamp of a race whose surroundings have taught them shrewdness and perseverance, and their scenery is such that in many places, though the eye misses trees, it hardly regrets them. In the midland counties, on the other hand, take the trees away and the landscape would be scarcely beautiful at all, though the land might be equally rich, undulating and productive. Half the special beauty of England depends on her greenery, her hedges, her trees and her gardens, in which the houses and cottages take the place of birds' nests.
LADY BLANCHE MURPHY.

LITTLE BOY BLUE.
Childish shepherd, sleeping Underneath the hay, Oh would that I could whisper in your dreams, "The sheep astray!"
Couldst thou not in Dreamland, Pretty herdsman, pray, With horn and crook lead gently to the fold Thy sheep astray?
Alas for soft sweet slumber's Mistland gold and gray, While o'er the hilltops shimmering spirits lead Our sheep astray!
PAUL PASTNOR.

THE PARIS EXPOSITION OF 1878.
II.--GENERAL EXHIBITS.
The exposition under one roof of products of every kind, natural and cultivated, mechanical and artistic, has a certain impressiveness from the wonderful extent and variety of the assemblage, but the effect is confusing and oppressive. The Philadelphia plan of grouping the exhibits in separate buildings was both more pleasant to the eye and more useful to the student. There is no place in Paris, however, affording room for isolated buildings of sufficient aggregate area, and the Bois de Boulogne, though immediately outside the fortified enceinte, in much the same position, relatively, that Fairmount Park holds to Philadelphia, was probably held to be too remote.
[Illustration: GRAND CUPOLA AT ONE OF THE CHIEF ENTRANCES TO THE MAIN BUILDING.]
The Exposition building is too low