Lippincott's Magazine of Popular
Literature and Science, Vol.
XVII. No. 101. May, 1876.
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Title: Lippincott's Magazine of Popular Literature and Science, Vol.
XVII. No. 101. May, 1876.
Author: Various
Release Date: November 4, 2004 [EBook #13956]
Language: English
Character set encoding: ISO-8859-1
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LIPPINCOTT'S MAGAZINE ***
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LIPPINCOTT'S MAGAZINE OF POPULAR LITERATURE AND
SCIENCE
May, 1876.
Vol. XVII, No. 101.
TABLE OF CONTENTS
THE CENTURY--ITS FRUITS AND ITS FESTIVAL.
V.--MINOR STRUCTURES OF THE EXHIBITION. [Illustrated]
GLIMPSES OF CONSTANTINOPLE by SHEILA HALE.
TWO PAPERS.--I. [Illustrated]
THE BALLAD OF THE BELL-TOWER by MARGARET J.
PRESTON.
BERLIN AND VIENNA by JAMES MORGAN HART.
THE ATONEMENT OF LEAM DUNDAS. By MRS. E. LYNN
LINTON, AUTHOR OF "PATRICIA KEMBALL."
CHAPTER XXXIII
. OUR MARRIAGE.
CHAPTER XXXIV
. IS THIS LOVE?
CHAPTER XXXV
. DUNASTON CASTLE.
CHAPTER XXXVI
. IN LETTERS OF FIRE.
ROSE-MORALS by SIDNEY LANIER.
AN OLD HOUSE AND ITS STORY by K. T. T.
THE WATCH: AN OLD MAN'S STORY by IVAN TOURGUENEFF.
TRANSLATIONS FROM HEINE by EMMA LAZARUS.
I.--CHILDE HAROLD.
II.--SPRING FESTIVAL.
LETTERS FROM SOUTH AFRICA by LADY BARKER.
THE LIFE OF GEORGE TICKNOR by T. S. PERRY.
OUR MONTHLY GOSSIP.
A REMINISCENCE OF MACAULAY by E. Y.
UNVEILING KEATS'S MEDALLION by T. A. T.
GINO CAPPONI by T. A. T.
A DINNER WITH ROSSI by L. H. H.
"FOUNDERS DAY" AT RAINE'S HOSPITAL by B. M.
NOTES.
LITERATURE OF THE DAY.
_Books Received._
ILLUSTRATIONS
FOUNTAIN OF THE CATHOLIC TOTAL ABSTINENCE UNION.
JUDGES' PAVILION.
WOMEN'S PAVILION.
UNITED STATES GOVERNMENT BUILDING.
OHIO BUILDING.
NEW JERSEY BUILDING.
NEW YORK BUILDING.
PENNSYLVANIA BUILDING.
PLAN OF EXHIBITION GROUNDS.
JAPANESE BUILDING.
SWEDISH SCHOOL-HOUSE.
SPANISH BUILDING.
BRITISH BUILDINGS.
GERMAN BUILDING.
HORTICULTURAL HALL--INTERIOR.
AMMALE.
TURKISH LADY.
THE SULTAN'S NEW PALACE ON THE BOSPHORUS.
MARBLE STAIRCASE, PALACE OF BESKIK-TASCH.
MOSQUE OF ST. SOPHIA.
INTERIOR OF THE MOSQUE OF ST. SOPHIA.
HAREM SCENE.
MOUNT PLEASANT.
LIPPINCOTT'S MAGAZINE
OF
POPULAR LITERATURE AND SCIENCE.
MAY, 1876.
THE CENTURY--ITS FRUITS AND ITS FESTIVAL.
V.--MINOR STRUCTURES OF THE EXHIBITION.
[Illustration: FOUNTAIN OF THE CATHOLIC TOTAL
ABSTINENCE UNION.]
Compress it as you may, this globe of ours remains quite a bulky affair.
The world in little is not reducible to a microscopic point. The nations
collected to show their riches, crude and wrought, bring with them also
their wants. For the display, for its comfort and good order, not only
space, but a carefully-planned organization and a multiplicity of
appliances are needed. Separate or assembled, men demand a home, a
government, workshops, show-rooms and restaurants. For even so
paternal and, within its especial domain, autocratic a sway as that of the
Centennial Commission to provide all these directly would be
impossible. A great deal is, as in the outer world, necessarily left to
private effort, combined or individual.
Having in our last paper sketched the provision made by the
management for sheltering and properly presenting to the eye the
objects on exhibition, we shall now turn from the strictly public
buildings to the more numerous ones which surround them, and
descend, so to speak, from the Capitol to the capital.
Our circuit brought us back to the neighborhood of the principal
entrance. Standing here, facing the interval between the Main Building
and Machinery Hall, our eyes and steps are conducted from great to
greater by a group of buildings which must bear their true name of
offices, belittling as a title suggestive of clerks and counting-rooms is
to dimensions and capacity exceeding those of most churches. Right
and left a brace of these modest but sightly and habitable-looking
foot-hills to the Alps of glass accommodate the executive and staff
departments of the exposition. They bring together, besides the central
administration, the post, police, custom-house, telegraph, etc. A front,
including the connecting verandah, of five hundred feet indicates the
scale on which this transitory government is organized. Farther back,
directly opposite the entrance, but beyond the north line of the great
halls, stands the Judges' Pavilion. In this capacious "box," a hundred
and fifty-two by a hundred and fifteen feet, the grand and petit juries of
the tribunal of industry and taste have abundant elbow--room for
deliberation and discussion. The same enlightened policy which aimed
at securing the utmost independence and the highest qualifications
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