I saw the setting sun lighting up the opposite side of a stately pine wood. Its golden rays straggled into the aisles of the wood as into some noble hall. I was impressed as if some ancient and altogether admirable family had settled there in that part of Concord, unknown to me--to whom the sun was servant. I saw their path, their pleasuring ground through the woods in Spaulding's cranberry meadow. The pines furnished them with gables as they grew. Their house was not obvious to vision, the trees grew through it. They have sons and daughters. They are quite well. The farmer's cart path which leads directly through their hall does not in the least put them out, as the muddy bottom of the pool is sometimes seen through the reflected skies. They never heard of Spaulding, and do not know that he is their neighbor, notwithstanding I heard him whistle as he drove his team through their house. Nothing can equal the serenity of their lives. Their coat of arms is simply a lichen. It is painted on the pines and the oaks. They are of no politics. There was no noise of labor. I did not perceive that they were weaving or spinning. Yet I did detect, when the wind lulled and hearing was done away, the finest imaginable sweet musical hum as of a distant hive in May, which perchance was the sound of their thinking. They had no idle thoughts and no one without could say their work, for their industry was not in knots and excrescences embayed. Yet I find it difficult to remember them. They fade irrevocably even while I speak. It is only after a long and serious effort to recollect that I became again aware of their cohabitance. If it were not for such families as this I think I should move out of Concord."
In the arts of music and painting and sculpture, one may find not only professional satisfaction, but the strength that comes from higher living and more lofty feeling. In the study of history as biography, the acquaintance with the men and women of other times, those who have felt and thought and acted and suffered to make a freer world for you and me, like inspiration may be found. History is more than its incidents. It is the movement of man. It is the movement of individual men, and it is in giving illumination to personal and racial characters that the succession of incidents has its value. The picturesque individual, the man who could not be counted with the mass, the David, the Christ, the Brutus, the Caesar, the Plato, the Alfred, the Charlemagne, the Cromwell, the Mirabeau, the Luther, the Darwin, the Helmholtz, the Goethe, the Franklin, the Hampden, the Lincoln, all these give inspiration to history. It is well that we should know them, should know them all, should know them well--an education is incomplete that is not built about a Pantheon, dedicated to the worship of great men.
With all this comes that feeling of dedication to the highest purposes which is the essential feature of religion. Religion should be known by its tolerance, its broadmindedness, its faith in God and humanity, its recognition of the duty of action.
And action should be understood in a large way, the taking of one's part in affairs worth doing, not mere activity, nor fussiness, nor movement for movement's sake, like that of "ants on whom pepper is sprinkled." As the lesser enthusiasms fade and fail, one should take a stronger hold on the higher ones. "Grizzling hair the brain doth clear" and one sees in better perspective the things that need doing. It is thus possible to grow old as a "grand old man," a phrase invented for Gladstone, but which fits just as well our own Mark Twain. Grand old men are those who have been grand young men, and carry still a young heart beneath old shoulders. There are plenty of such in our country to-day, though the average man begins to give up the struggle for the higher life at forty. President White, President Eliot, President Angell,--few men have left so deep an impression on the Twentieth Century. Edward Everett Hale, the teacher who has shown us what it is to have a country. Senator Hoar, Professor Agassiz, Professor Le Conte, Professor Shaler,--all these, whatever the weight of years, remained young men to the last. When Agassiz died, the Harvard students "laid a wreath of laurel on his bier and their manly voices sang a requiem, for he had been a student all his life long, and when he died he was younger than any of them." Jefferson was in the seventies when he turned back to his early ambition, the foundation of the University
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