Life of St. Francis of Assisi | Page 9

as exact as those of chemical combinations, and we must hope that in the end they will be discovered; but for the present there is no purely objective truth of history.
To write history we must think it, and to think it is to transform it. Within a few years, it is true, men have believed they had found the secret of objectivity, in the publication of original documents. This is a true progress which renders inestimable service, but here again we must not deceive ourselves as to its significance. All the documents on an epoch or an event cannot usually be published, a selection must be made, and in it will necessarily appear the turn of mind of him who makes it. Let us admit that all that can be found is published; but alas, the most unusual movements have generally the fewest documents. Take, for instance, the religious history of the Middle Ages: it is already a pretty delicate task to collect official documents, such as bulls, briefs, conciliary canons, monastic constitutions, etc., but do these documents contain all the life of the Church? Much is still wanting, and to my mind the movements which secretly agitated the masses are much more important, although to testify to them we have only a few fragments.
Poor heretics, they were not only imprisoned and burned, but their books were destroyed and everything that spoke of them; and more than one historian, finding scarcely a trace of them in his heaps of documents, forgets these prophets with their strange visions, these poet-monks who from the depths of their cells made the world to thrill and the papacy to tremble.
Objective history is then a utopia. We create God in our own image, and we impress the mark of our personality in places where we least expect to find it again.
But by dint of talking about the tribunal of history we have made most authors think that they owe to themselves and their readers definitive and irrevocable judgments.
It is always easier to pronounce a sentence than to wait, to reserve one's opinion, to re-examine. The crowd which has put itself out to be present at a trial is almost always furious with the judges when they reserve the case for further information; its mind is so made that it requires precision in things which will bear it the least; it puts questions right and left, as children do; if you appear to hesitate or to be embarrassed you are lost in its estimation, you are evidently only an ignoramus.
But perhaps below the Areopagites, obliged by their functions to pronounce sentence, there is place at the famous tribunal for a simple spectator who has come in by accident. He has made out a brief and would like very simply to tell his neighbors his opinion.
This, then, is not a history ad probandum, to use the ancient formula. Is this to say that I have only desired to give the reader a moment of diversion? That would be to understand my thought very ill. In the grand spectacles of history as in those of nature there is something divine; from it our minds and hearts gain a virtue at once pacifying and encouraging, we experience the salutary sensation of littleness, and seeing the beauties and the sadnesses of the past we learn better how to judge the present hour.
In one of the frescos of the Upper Church of Assisi, Giotto has represented St. Clara and her companions coming out from St. Damian all in tears, to kiss their spiritual father's corpse as it is being carried to its last home. With an artist's liberty he has made the chapel a rich church built of precious marbles.
Happily the real St. Damian is still there, nestled under some olive-trees like a lark under the heather; it still has its ill-made walls of irregular stones, like those which bound the neighboring fields. Which is the more beautiful, the ideal temple of the artist's fancy, or the poor chapel of reality? No heart will be in doubt.
Francis's official historians have done for his biography what Giotto did for his little sanctuary. In general they have done him ill-service. Their embellishments have hidden the real St. Francis, who was, in fact, infinitely nobler than they have made him to be. Ecclesiastical writers appear to make a great mistake in thus adorning the lives of their heroes, and only mentioning their edifying features. They thus give occasion, even to the most devout, to suspect their testimony. Besides, by thus surrounding their saints with light they make them superhuman creatures, having nothing in common with us; they are privileged characters, marked with the divine seal; they are, as the litanies say, vials of election, into which God has poured the sweetest perfumes; their sanctity