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Life of Browning by William Sharp 
 
Please note: The Following Books relating to Robert Browning are now 
online: --------------------------------------------------------------- 
Corson, Hiram. An Introduction to the Study of Robert Browning's 
Poetry, 3rd edition. This book is primarily concerned with Browning's 
poems. Advantages: This book is an excellent introduction to 
Browning. 
Orr, Mrs. Sutherland. Life and Letters of Robert Browning, 2nd edition. 
This book is primarily concerned with Browning's life. Advantages: As 
a close friend, the author has a good grasp of the facts, and is 
meticulous in her treatment of the material. Disadvantages: As a close 
friend, the author is sometimes partisan. 
Sharp, William. Life of Robert Browning. Despite the title, this book is 
as much a critique of Browning's works as it is a biography of the poet. 
Advantages: Further removed from poet, the author is willing to make 
some criticisms. As an early and frequently quoted work on the subject, 
this book is a good resource. Disadvantages: Due to carelessness on the 
part of the author and his publisher, a number of factual and other 
errors were made. Although this electronic text has corrected many of 
the obvious errors, they are frequent enough to leave misgivings.
[Note on text: Italicized words or phrases are capitalised. Some obvious 
errors may have been corrected.] 
 
Life of Robert Browning 
by William Sharp. 
 
Contents. 
 
Chapter 1 
. 
London, Robert Browning's birthplace; his immediate predecessors and 
contemporaries in literature, art, and music; born May 7th, 1812; origin 
of the Browning family; assertions as to its Semitic connection 
apparently groundless; the poet a putative descendant of the Captain 
Micaiah Browning mentioned by Macaulay; Robert Browning's mother 
of Scottish and German origin; his father a man of exceptional powers, 
artist, poet, critic, student; Mr. Browning's opinion of his son's writings; 
the home in Camberwell; Robert Browning's childhood; concerning his 
optimism; his fondness for Carravaggio's "Andromeda and Perseus"; 
his poetic precocity; origin of "The Flight of the Duchess"; writes 
Byronic verse; is sent to school at Peckham; his holiday afternoons; 
sees London by night, from Herne Hill; the significance of the 
spectacle to him. 
Chapter 2 
. 
He wishes to be a poet; writes in the style of Byron and Pope; the 
"Death of Harold"; his poems, written when twelve years old, shown to 
Miss Flower; the Rev. W. J. Fox's criticisms on them; he comes across 
Shelley's "Daemon of the World"; Mrs. Browning procures Shelley's 
poems, also those of Keats, for her son; the perusal of these volumes 
proves an important event in his poetic development; he leaves school 
when fourteen years old, and studies at home under a tutor; attends a 
few lectures at University College, 1829-30; chooses his career, at the
age of twenty; earliest record of his utterances concerning his youthful 
life printed in `Century Magazine', 1881; he plans a series of 
monodramatic epics; Browning's lifework, collectively one 
monodramatic "epic"; Shakespeare's and Browning's methods 
compared; Browning writes "Pauline" in 1832; his own criticism on it; 
his parents' opinions; his aunt's generous gift; the poem published in 
January 1833; description of the poem; written under the inspiring 
stimulus of Shelley; its autopsychical significance; its importance to the 
student of the poet's works; quotations from "Pauline". 
Chapter 3 
. 
The public reception of "Pauline"; criticisms thereupon; Mr. Fox's 
notice in the `Monthly Repository', and its results; Dante Gabriel 
Rossetti reads "Pauline" and writes to the author; Browning's reference 
to Tennyson's reading of "Maud" in 1855; Browning frequents literary 
society; reads at the British Museum; makes the acquaintance of 
Charles Dickens and "Ion" Talfourd; a volume of poems by Tennyson 
published simultaneously with "Pauline"; in 1833 he commences his 
travels; goes to Russia; the sole record of his experiences there to be 
found in the poem "Ivan Ivanovitch", published in `Dramatic Idyls', 
1879; his acquaintance with Mazzini; Browning goes to Italy; visits 
Asolo, whence he drew hints for "Sordello" and "Pippa Passes"; in 
1834 he returns to Camberwell;    
    
		
	
	
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